"Oratical declamation piece" Essays and Research Papers

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    orchestra pieces. They seemed to tell a story was the people played the music pieces. These pieces were soothing and beautiful. My favorite two pieces in this concert was “Sleeping Beauty Waltz”‚ by Pyotr Ilyich Tchaikovsky‚ and “Elegy to the Blind”. “Sleeping Beauty Waltz” was especially sweet. It was almost like a lullaby. The piece was fast and strong at times and at other times soft and sweet. I especially liked the climax of this piece. It had contained This piece is by far my favorite piece in the

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    Music Theory

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    “Symphony No. 41 in C major‚ K. 551‚ I. Allegro vivace from MOZART: Symphonies Nos. 39 and 41 by Wolfgang Amadeus Mozart Performed by Janos Ferencsik (conductor) Composed 1788 O Viridissima Virga by Hildegard von Bingen One of the most famous pieces during the medieval period was “O Viridissima Virga”‚ which was composed by Hildegard von Bingen during ca 1140 - 1179. The purpose of this heavenly chant was to give praise to the Blessed Virgin Mary and hymns were the form of this Christian chant

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    Potato Cores Lab

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    there will be net movement of water out of the potato cores. If the solution has a higher water potential than the potato cores‚ there will be net movement of water into the potato pieces. Therefore‚ potato cores in less concentrated solutions will gain more weight

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    start with the white center piece on the bottom and the opposite side yellow piece on the top‚ simply because that’s the way I learned. 1. Look around the cube for white edge pieces‚ not corner pieces but pieces that outline the cross shape. Move the pieces to the top of the cube around the yellow piece. • Each white piece of the cross will have a color adjacent to it. 2. You want to match up the‚ say white blue piece to the blue center piece and the white red piece

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    Experimental Music

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    put the asking of questions.” Just having performed John Cage’s Musicircus‚ I found it only fitting to relate my own piece to the excerpt above. What questions did I have prior to developing the piece? I was curious about the sounds that could be created if I were to amplify the situation of shaving my facial hair. How did these questions change over the course of developing my piece? I realized I could use different types of razors- both standard and electric- and was curious about the variation in

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    resulting into small ensembles. The only exceptions were the two live electro-acoustic video/music creations. Generally‚ each piece was featuring electronics usually joined by an acoustic instrument. The concert lasted about sixty minutes approximately. The first piece played in the concert was “tempora mutanur” which was composed by Chin Ting Chan and Pei-Lun tsai. The name of the piece means “the times are changed” in Latin. It is usually stated in a hexametric form‚ followed by another phrase “nos et

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    Potato Osmosis Lab Report

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    two sized potatoes‚ 6g and 10g‚ and placed each in three different dilutions of sucrose at 0.5M‚ 0.1M‚ and 0.05M. We also placed a 6g and 10g potato piece in water to act as a control. Based on the weight percent change over 60 minutes‚ the 6g potato piece had faster water movement than the 10g. This confirms out hypothesis that smaller potato pieces will have a faster rate of water movement. Introduction Osmosis is the diffusion of water across a selectively permeable membrane. Water diffuses

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    Essay

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    | Music of Contemporary Australia | Analysing Repertoire Task | | This term‚ music has focused on the topic of “Music of Contemporary Australia.” In this assessment piece‚ two contrasting compositions by James and John Morrison‚ “Sydney by Night” and “Pinnacles”‚ will be analysed‚ compared and contrasted. Elements of music (eg. Harmony‚ rhythm‚ dynamics and texture) will be pinpointed. Explanations will also be given to describe how these elements have been used to portray the two title

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    Carrom Rules

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    for points (blacks count one‚ whites count two‚ the queen counts five.) How to arrange the pieces on the board Line up the double whites to aim ’dead-on’ into a corner pocket. Whoever plays first‚ or breaks‚ is always white. The object of the game is to sink all of your pieces‚ using the heavier ’striker’‚ in any of the pockets before your opponent. Your turn continues as long as you keep sinking your pieces - luck shots count and all combinations are permitted. When placing the striker on the board

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