Frontal System is an art piece located in Spartanburg‚ South Carolina at Spartanburg Art Gallery. This piece of art was created by Shona Macdonald in 2014‚ which appears to be around 66 x 90" dimension wise and is constructed with recycled envelopes‚ archival glue and ink. She has been practicing this type of art since 1998 and has been a decade since her last created ‘envelope innards’ artwork. Using simple techniques Shona Macdonald has created an incredibly attractive piece with only one type of
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major or D minor‚ the piece is modal‚ switching between various modes based on D and Db. Measures one through four use D Aeolian‚ which is why one may think the piece is in D minor at first glace‚ but the lack of a leading tone suggests Aeolian. At measure five‚ the piece modulates into D Dorian‚ and lasts until measure eight. At this point‚ Debussy starts incorporating F#‚ C#‚ and G# while switching between Bb and B natural. At measure ten‚ Debussy adds more accidentals to the piece (Db‚ Cb‚ Ab‚ and
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orchestras performed a variety of fascinating pieces. The orchestras began the concert with “Holiday Dances by Mark Williams". The next piece that the orchestras performed was “Saint Nick’s Canon on the Housetop” arranged by Carrie Lane Gruselle. The last piece that the AHS Philharmonia and Sinfonietta orchestras performed was “We Wish you a Merry Christmas” arranged by Lloyd Conley. In the first piece‚ Holiday Dances‚ Mark Williams composed starts the piece in the key of C major with a catchy intro
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Monet. Both painting are oil canvas‚ Water Lilies is one of 250 water lilies paintings done by Monet. Both paintings are examples of art pieces that play an important role in art history. I was able to personally see each painting at the St. Louis Art Museum on October 9‚ 2010. The Museum was beautiful; the rooms seemed to have art pieces organized
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There were music pieces (selected movements) by Ludwig Beethoven‚ Robert Schumann‚ Johannes Brahms‚ Sergei Prokofiev‚ and‚ Claude Debussy. Current students from the IUSB Music department were the ones playing the piano. Each one had a strong ability with the piano‚ which delivered the music in an amazing way with great combinations of rhythm and the different scales of major and minor. All pieces varied with time range based on the movements‚ as some were
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order to show how the work can be understood on the foreground‚ middle ground and background levels. In order to this‚ I have taken away unnecessary notes‚ such as the neighbour and passing notes‚ to leave the score as a basic four part chorale-like piece with two chords to a bar‚ following the harmonies. I began the reduction by taking the G minor arpeggio in bar 1 and taking away the Bb‚ and top G in the bass to leave the bass part with a G and a D‚ a fifth apart. I took the top note in the first
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Sz. 102 by Bartok. All these pieces were amazing both in difficulty and sound. The first piece by Prokofiev was very intense. The opening was very fast pace. It also contained minor notes that almost seemed like the instruments were out of tune. It was a very disjunct piece in the fact that it went between minor and major notes and loud and soft tempos. The melody was very dark but seemed to have a lighter side once the timbre of the piece began to calm. The piece had a singular melody that it
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Bartók (1881-1945)‚ Johannes Brahms (1833-1897)‚ and Ludwig van Beethoven (1770-1827). The first piece was Prelude and Fugue in A-flat major‚ WTC Book II by Johann Sebastian Bach. Prelude and Fugue in A-flat major started with a higher upbeat feel on the high end of the piano. To offset the high-end notes‚ lower trills were thrown in sparingly while maintaining around 90% high end melody. Tempo for the piece stayed a constant andante tempo
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by Greg Wheeler. The first piece was “Lost Mind” the stand out of this piece was the Alto Saxophonist‚ Kyle Merrill. He stood out and grabbed my attention more so than the other soloist during this piece. His solo had a rich sound‚ along with a smooth and swingy rhythm. The piece over all had a rhythm that was easy to tap your foot to and I was doing so throughout the piece. It was a bright sounding piece and it started the concert off on the right foot. The second piece played was “In a Mellow Tone”
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acetone. This cost efficient and easy method will not only motivate both individuals and industries to recycle but also improve the state of our environment. Materials: 100% acetone nail polish remover 3 small containers 4 Styrofoam cups Large piece of plastic Packing foam board A teaspoon A Permanent marker Procedure:
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