EVELYN GLENNIE There are several reasons that I chose Evelyn glennie to talk about‚ but the main reason is music. I have been in band for 6 years now and choir for 3. Between marching band‚ concert band‚ and pep band it is a big part of my life. All of my family loves music too. My mom played percussion‚ my dad piano and guitar‚ my sister clarinet‚ and my brother french horn. All five of us are in/directing a choir also. Evelyn glennie‚ born on July 19‚ 1965‚ is one of the world’s foremost
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The Horrible "Great" Conductors Composer Igor Stravinsky has written a passage that discusses orchestra conductors. Stravinsky uses language and rhetorical devices to express his point of view. Through the tropes‚ the exigence‚ and the audience he shows how horrible "great" conductors really are. Stravinsky uses tropes to enhance his argument against conductors. The language he uses is very harsh. In a few places‚ he goes beyond his arguments into simple criticisms and attacks
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Organizational Management – Task 2 Utah Symphony Strengths Financial The Utah Symphony Orchestra (USO) has a long a deep history as an arts organization. This success directly related to the contributions of two major heads of the organization‚ Mr. Abravanel and the current music director Keith Lockhart. This long history has allowed them to grow their endowment to over $817‚000 as of the end of 2001. Part of the great success of the organization has also to do with the international notoriety
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About The Arranger A native of Woodbourne‚ New York‚ Murray Houllif holds degrees from the State University of New York at Potsdam (BS Music Education) and the State University of New York at Stony Brook (MM Percussion Performance). His teachers include Raymond Des Roches‚ Richard Fitz‚ James Petercsak‚ Sandy Feldstein‚ Dom Famularo‚ and Bey Perry (organist Jimmy Smith’s drummer). Having subsequently served as co-coordinator of percussion at North Texas State University in Denton‚ Murray has recently
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just move their body if they want to (especially when the music is too great). But sometimes‚ it’s just quite odd when you dance or maybe give in to the music a little. Like maybe if you’re pooping and you suddenly danced. Or what if you’re on an orchestra and you just wanted to play an awesome solo? If you’re on a gig and you just feel the beat rushing in your veins‚ you can actually blurt out.
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unfinished work was given to Bartok’s friend and informal student Tibor Serly‚ who reconstructed the work and prepared it for publication. The first performance was given on December 2‚ 1949‚ in Minneapolis. The work has become a staple in the orchestra repertoire and has enjoyed great popularity with audiences for over sixty years. However‚ musicologists and critics
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Concert Review 3 The concert review I am writing about is An American In Paris. An American In Paris was composed by George Gershwin in 1928. This specific performance that we watched in class was performed by Los Angeles Philharmonic Orchestra and conducted by Gustavo Dudamel. This performance was very long and had many different parts to it. Amazingly this performance only have 1 movement‚ but a lot of sections. There were also many different textures. This song had it all. This is a modern era
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possibilities of being someone famous or a great leader. • You were right‚ I was listening to classical music‚ and on sunday night I played the SACD I bought the other week‚ Tchaikovsky violin concerto in D op 53‚ played by the Russian national orchestra with lead violin by Julia Fischer‚ conducted by Yakov Kreizberg‚ it is a very good recording‚ glad I bought it‚ I know Julia Fischer’s playing already‚ I have a CD of Bach violin concertos which is also good. • That chocolate cake sounds good‚ you
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October 30‚ 2011 On Sunday‚ October 30‚ 2011‚ I attended an orchestral music concert presented by WLU at Maureen Forrester Recital Hall. This concert features the WLU Symphony Orchestra‚ Paul Pulford as the conductor‚ Samantha Lee as the guest pianist‚ and a special guest‚ soprano Jane Archibald. A total of 6 pieces were played during the concert‚ with one being a Concerto and the rest being Operas. Out of all the pieces played
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The Duet Papagena/Papageno is a duet from Act 1 in the Opera Magic Flute that was written by W.A. Mozart in 1791. It starts in a 2/4 time sang allegretto. It starts with an ostinato ‘pa pa pa’ by the two voices while the orchestra blends in harmony. Staccato is used to give it a joyful‚ jumpy and light feel to the music. The instruments that have been employed have bright timbres and include violins and oboe; there is also prominent use of the panpipe which makes the piece quite expressive. The voices
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