Music Appreciation and History Trans-Siberian Orchestra Christmas Eve and Other Stories I listened to a CD for my first written report. I chose to listen to the Trans-Siberian Orchestra‚ Christmas Eve and Other Stories. It was produced by Produces by Paul O’Neill and Co-Produced by Robert Kinkel. It was produced in 1996 by the Atlantic Recording Corporation and manufactured by WEA Manufacturing Inc. The album had a mix of vocal and instrumental versions of easily recognizable‚ and some unfamiliar
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The Symphony Orchestra The relationship between a core and periphery can be described like the relationship between a conductor and an orchestra. The core is like the main source or power and the periphery is what feeds off of the core. In the case between the conductor and an orchestra‚ the conductor would be the core and the orchestra would be the periphery. The orchestra is the periphery because it is gaining information or instructions on when each instrument should be playing. The conductor
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One of the actions I perform out of compassion and kindness is stacking chairs and music stands after rehearsing with my orchestra. It’s a lot of work because there are a lot of people‚ and our director is often left to it by himself. He’s an older gentleman‚ so it’s hard on him to lift the heavy chairs and walk back and forth while picking up all the music stands. Mentally‚ I am thinking about he difficult it would be for him to perform this task if he were left by himself. It would take him a long
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that Itay Talgam is trying to come across is that the greatest conductors actually don’t conduct‚ they just keep time and allow the orchestra to play. Talgam played eight different clips of conductors and their techniques. The first conductor was conducting the Vienna Philharmonic Orchestra. He was very playful and really enjoying himself as he was “leading” the orchestra. If you notice‚ and Talgam points this out‚ the instrumentalists rarely look up at him. He has a smile on his face the entire time
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levels‚differentials and job or person base approach. There is a lot of information is lacking in the orchestra case which make it difficult to draw the persuasive conclusions about the Orchestra compensation strategy. Let’s assume that internal and external factors are normal and the orchestra is operating their business under favorable circumstances. Under these circumstances‚ the orchestra pay structure is hierarchical‚ narrowly graded‚ vertical and horizontal‚ broad band pay‚ and supervisory
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“The violin could be said to define the orchestra‚” writes the Philharmonia Orchestra‚ a prominent orchestra based in London. “The other strings just fill out the lower harmonies‚” they continued‚ “woodwinds provide pleasantly contrasting timbres‚ the brass is for added power when you need it and the percussion creates crisper edges and the occasional crash‚ but there would be no orchestra without the violin at its heart… [Or] perhaps it was true once‚ but certainly
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Jan Doe MUL 1010 Professor John‚ Doe 20 Oct. 2013 Concert Review: “The Orlando Philharmonic Orchestra” On October 19‚ 2013 I sought out to listen to some classical music for my review for class. It was a pleasure to have found the Orlando Philharmonic Orchestra at the St. Luke’s Lutheran Church in Oviedo‚ FL‚ a part of St. Luke’s concert series of 2013-14 that has been held in the last nineteen years here in Oviedo‚ FL. This free event that’s held each year at St. Luke church holds about three
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Pianoforte is the longer name of piano‚ because it was an innovative instrument in the 17th century Italy that allowed the dynamics of softness (piano) and loudness (forte) to be reproduced by its mechanisms. The Musical Instruments The Western Orchestra has the following classification of instruments: Strings. The string section includes the violins‚ violas‚ violoncello (cello) and double bass (string bass). They produce sound because a string stretched across these instrument’s bodies vibrate
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The Mendelssohn Concerto in E Minor: A Staple of the Violin Repertoire “I would like to compose a violin concerto for next winter. One in E minor keeps running through my head‚ and the opening gives me no peace‚” German composer Felix Mendelssohn wrote to his friend‚ violinist Ferdinand David‚ in 1838. Mendelssohn would seek to collaborate on his last orchestral work with David‚ revising it painstakingly until its premiere in Leipzig in 1845. The first movement of Mendelssohn’s Violin Concerto
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Fischer is the Chamber Orchestra of Europe (COE). Fischer is accompanied by the orchestra that served as her background in performing the music. The orchestra gave further depth on the emotions and power of the music played by Fischer. This proved that though Fischer is the main musician in this part of the concert‚ the greatness and power of her music remains incomplete or plain without the orchestra. At some point‚ Fischer stopped to give way on the sounds played by the orchestra. It seemed that it
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