located on the Materials page of the student Web site. Name: Thomas Miller Theorist Selected: Ida Orlando Description of Theory: “Orlando’s theory is a reflective practice that is based on discovering and resolving problematic situations” (Alligood‚ 2010‚ p. 339). This theory is focused on defining the nurse-patient relationship. According to Orlando‚ the main function of nursing is to determine the needs of the patient and ensure that these needs are met‚ whether
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“My Memorable Vacation” Imagine yourself in Orlando‚ Fl on a roller coaster that is 90 feet up high‚ and you are seated front row waiting for a 90 degree drop facing down. “AHH” I was in that position once. My Vacation to Orlando was awesome. The reason why it is so memorable to me is because I went to a lot of theme parks‚ I went to see my family‚ and I had time to relax. To begin with‚ the theme Parks were incredible. You have Aquatica‚ Sea World‚ and Busch
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ARTHUR MUHLENFORTH 1116 Pointe Newport Terrace #200 Casselberry FL‚ 32707 Work: 407-790-5292 arthurfrancis84@gmail.com OBJECTIVETo Obtain a position in MarketingSUMMARY OF QUALIFICATIONSFour years experience in the United States Army involved in a variety of operations designed to provide both combat and combat service support. Extensive training and experience in the use of weapons‚ patrolling‚ first aid‚ vehicle operations and use of communication equipment. Recognized on ocassion for outstanding
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Orlando’s brother Oliver ‚ Orlando or even phoebes future ‚and examples from Antigone would be how she influences her destiny (death ) or even Ismenes or Haemons life. Like Antigone ‚Rosalind is very gutsy we understand this when she is sent to exile by her uncle and instead of feeling frightened she puts on a brave face and goes to the garden of Arden in search of freedom .She is quit an interesting character ‚for although she smartly believes love to be madness and even tells Orlando whose told her he
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of gender. And this issue‚ for obvious reasons‚ has generated a special interest in recent times. The principal reason for such a thematic concern in the play is the cross dressing and role playing. The central love interest between Rosalind and Orlando calls into question the conventional wisdom about men’s and women’s gender roles and challenges our preconceptions about these roles in courtship‚ erotic love‚ and beyond. At the heart of this courtship is a very complex ambiguity which it is
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the play As You Like It by Shakespeare‚ through the struggles of the character Orlando. He didnt belong where he had been placed by his eldest brother and risked his life in the search to belong in the Dukes court. Before wrestling Charles in an attempt to earn fair treatment‚ Orlando declares “if I be foiled‚ there is but one shamed that was never gracious; if killed‚ but one dead that was willing to be so.” Orlando uses emotive language to convey the severity of his intentions. this emphasises
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William Shakespeare’s ‘As You Like It’ is probably one of the most famous pastoral comedies of all times. Written around 1599 and published in 1623‚ its plot was derived from Thomas Lodge’s pastoral romance ‘Rosalynde’. But what is interesting about this play is how Shakespeare‚ using the features and tropes of a pastoral comedy‚ undercuts the idea of the pastoral. The pastoral‚ as a genre‚ can be said to have had its beginnings with Theocritus’ ‘Idylls’. Other notable works in this genre are Virgil’s
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comes‚ but in a theatre like the Globe where it was performed‚ the strata were clearly visible. Techniques Parody Irony Juxtaposition Contrast Verse Prose Disguise Cliché Symbolism Metaphor * Clear contrast established between the Orlando (good) and oliver (bad) Conflict
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love is the key aspect of belonging‚ mainly through the characters of Rosalind and Orlando. Through Shakespeare’s use of dialogue and imagery‚ we are able to witness the level of harmony and acceptance between the lovers. Rosalind’s dialogue to Celia “my affection has an unknown bottom‚ like the Bay of Portugal” shows her extensive infatuation with Orlando and how she believes she truly belongs with him. Orlando also shows infatuating signs of passion towards Rosalind. We see in Act 3‚ Scene 2 where
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the female beloved. In context to As you like it‚ Rosalind cross-dressed as Ganymede‚ encourages Orlando to detach from his "fancy monger" (Shakespeare 3.2.350) attitude and free himself from the self-imposed "cage of rushes" (Shakespeare 3.2.356) if he wishes to win her heart. Furthermore‚ Ganymede suggests that women also desire the pleasures of flesh just as men when hinting that she would like Orlando to "woo" her every day (Shakespeare 3.2.409). This non-traditional switching of roles‚ where the
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