Scene 1 The curtain opens to reveal the narrator‚ sitting at the base of a tree. The stage is lit up but a spotlight still shines on him/her. Narrator Many stories are told‚ and are being told‚ in many places‚ in many lands‚ at different times. (Narrator stands up and starts walking around stage talking to the audience and slowly roundaboutly making his/her way to the front and side of the stage) But one story no matter how rebuked‚ old‚ or disclaimed remains relevant even in this day and age.
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A comparison of how Orwell and Atwood present state control in their dystopian novels‚ “1984” and “The Handmaid’s Tale”. State control is central to both ‘The Handmaid’s Tale’ and ‘1984’ for they present totalitarian societies‚ whose politics is to impose control on the individuals of which they are comprised. Both authors express their concerns for these societies‚ run by extreme dictators‚ and how they dehumanise individuals by depriving them of essential freedoms. They are both tales of warning
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Atwood and Hosseini both present female oppression dramatically through the main characters of Laila and Offred. Both show females in a corrupt society where the treatment of women is unthinkable for a modern reader. The characters are developed through narrative structure‚ language and action to create a striking view of female oppression. The narrative structures are integral to portraying female oppression and are different for each text. The first person narrative of “The Handmaid’s Tale” uses
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"The Handmaid’s Tale" - Consider what techniques Atwood uses to create a sense of empathy between the reader and the text. "The Handmaid’s Tale" is a novel that is largely dependent upon creating a bond between it’s characters and the reader; in my opinion the novel would not reach it’s full potential or have full impact unless the reader was empathising with the characters and situation throughout. Ergo‚ Atwood uses several literary techniques to ensure that all but the most hardhearted of readers
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we meet are oppressed by this world‚ and its strict attention to violence‚ death‚ and conformity highlight the ways in which it is a far from perfect place. Atwood is tapping into a national fear of the American psyche and playing with the idea of American culture being turned backwards and no longer standing as the dominant culture. Atwood engages the reader by recreating events that have previously happened making the ‘dystopian’ world more relatable and‚ therefore‚ more frightening. Two of
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shown in Margaret Atwood’s‚ "The Handmaid’s Tale"‚ through the minor character of Moira. This character is referred to throughout the novel as strong-willed and independent until Offred finds her near the end‚ different and broken. Through Moira‚ Atwood is able to develop Offred as a dependent on hope and further develop the theme of hopelessness in Totalitarian governments. Throughout the novel‚ Offred makes references to Moira‚ Offreds friend since college. Every time this character is mentioned
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1) Daddy by Sylvia Plath You do not do‚ you do not do Any more‚ black shoe In which I have lived like a foot For thirty years‚ poor and white‚ Barely daring to breathe or Achoo. Daddy‚ I have had to kill you. You dies before I had time— Marble-heavy‚ a bag full of God‚ Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach‚ du. In the
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“How are the two female protagonists Offred from “The Handmaid’s Tale” by Magaret Atwood and Celie from “The Color Purple” by Alice Walker oppressed by men‚ in what ways are their situations similar and how do they deal with the pressure and abuse?” Abstract The purpose of this essay is to look at how the two protagonist women‚ Offred from “The Handmaid’s Tale” and Celie from “The Color Purple” are treated in literature. This essay aims to answer the question: “How are the two protagonist women
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Every song tells its own unique story; however the stories they tell are often up to interpretation. Bob James‚ the creator of the song Orpheus‚ wrote the song based on his interpretation of the myth. The music of Bob James continued to evolve and captivate audiences thought the world. Discovered by Quincy Jones at the Notre Dame Jazz Festival in 1963‚ Bob recorded his first solo album‚ Bold Conceptions‚ that year for Mercury Records. 36 more solo albums would follow through four decades; that number
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The poem supports my claims that Orpheus’s journey to save Eurydice is selfish and that transcendence of the ego is the paramount to heroism. In “Eurydice‚” even as Orpheus mourns the loss of his bride‚ Eurydice mourns the loss of her own life and known world. Truly‚ her grief is profound. When she is summoned to follow Orpheus‚ suddenly she is filled with hope‚ even desperation‚ that she might be alive once more. Then‚ he fails to lead her out of her hell. He glances back‚ out of his own arrogance
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