Seeing is not believing Yirong Wang This is an essay that introduces a new perspective to us to decode ancient visual arts. The author reminds us that there are other ways of decoding visual figures alongside the “Beazley method” so we need to undermine stereotypes in our minds in appreciating ancient Greek vases. Let’s first talk about “Beazley’s method”. The basic principles of this approach are that we can distinguish the artists through their stylistic skills on the vases. The author thinks
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In the article “Hanging Tongues: A Sociological Encounter with the Assembly line” Thompson (1983) there are many connections between the Physical structure of the beef processing plant and the social structure of those working within it. The layout‚ design and decor of the beef plant both directly and metaphorically impact on the social structure within the plant‚ pertaining to (among other examples) a sense of isolation‚ hierarchies‚ formalisation and standardisation. The physical layout
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Self-centered Teen or Thought-invoking Speaker : "Hanging Fire" by Audre Lorde The speaker in Audre Lord’s poem "Hanging Fire" is extremely self-centered. Does this limit the poem’s ability to say anything of general value? A simple read of "Hanging Fire" by Audre Lorde might lead one to conclude that there is no real value in this self-centered poem. However‚ upon critical analysis‚ one can obtain valuable insights from the poem. The 14-year-old speaker deals with major issues that plague the adolescent
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way it can evoke an emotion‚ a visual image‚ a complex idea‚ or a simple truth." Reading these sentences make me understand the passion she has for the English language and what it can do. She also provides examples of her mother’s ’broken English’ as she calls it‚ "He come to my wedding. I didn’t see‚ I heard it. I gone to boy’s side‚ they have YMCA dinner. Chinese age I was nineteen." This confused me as I was reading because I did not understand the text. Then I realized that Amy Tan’s "Mother
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Response to Literature Animal Farm Everybody will change eventually‚ either in good or bad sides. Animal Farm by George Orwell was written in 1945 to reflect several events during the Stalin era. Orwell has clearly described Stalin’s events in a form of animals’ life and used a pig named Napoleon‚ to represents Stalin. Napoleon enacts changes to the governance structure of the farm‚ replacing meetings with a committee of pigs‚ who will run the farm. Using a young pig named Squealer as a "mouthpiece"
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Farm: George Orwell=s Animal Farm: A metonym for a dictatorship Harry Sewlall Vista University Distance Education Campus PRETORIA E-mail: swlll-h@acaleph.vista.ac.za It seems‚ to warp George Orwell’s elegant phrase‚ that “All animals may speak freely but some may speak more freely than others” (Ronge‚ 1998:13). It is the lesson of George Orwell’s Animal Farm‚ a little book I am sure much of the ANC leadership would have read‚ if not always taken to heart (Carlin‚ 2001:4). Abstract Orwell= Farm: George
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In Ode to a Nightingale Keats introduces the reader to his discontent with the void of feeling he is experiencing. In the first line Keats says how his‚ “heart aches” which the reader would interpret as pain; however the second half of the first line he describes‚ “A drowsy numbness”. This tells me that Keats is uncomfortable with the “numbness” he experiences. In the second line Keats says‚ “as though of hemlock I had drunk”. Norton foot notes tell us that hemlock is a poison that acts
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“Imagination in A Christmas Carol” Graham Holderness says A Christmas Carol categorically that the writer’s imagination fails. Scrooge is allowed to slide into a rarefied limbo of Christmas sentiment and Christian charity‚ so abstract as to be empty of life and meaning. His encounter with the three ghosts is far more credible‚ far more realistic‚ than this closing vision of life of permanent goodness‚ which scarcely resembles human life at all. In one respect‚ of course‚ this misses the point
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Title: The Lovely Bones Author: Alice Sebold Genre: Extended Written Text (Novel) Interviewing Joey Nathan about the novel. Dominique: Who introduced you to this novel? Or how did you come across it? Joey: Well I had seen the film not long after it was released and thoroughly enjoyed it‚ so I decided to get the book out at the town library. It was one of the first books I have read that deals with the aftermath of death. Dominique: What’s it about exactly? Joey: Well basically a teenage
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"Ode to an Orange" by Larry Woiwode took place in the winter of 1940s. It was "the winters of the forties" which I felt was very important in setting the background. It was a time of war‚ rationing of food‚ limited transportation‚ a difficult time to import items from other states and then adjustment from war of peace. Winter did not just represent cold‚ snow‚ wind‚ gray sky‚ limited sunshine‚ but a limiting of the senses. With this in mind it have also been difficult to obtain an orange that would
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