Marxist criticism is a type of criticism in which literary works are viewed as the product of work and whose practitioners emphasize the role of class and ideology as they reflect‚ propagate‚ and even challenge the prevailing social order. Rather than viewing texts as repositories for hidden meanings‚ Marxist critics view texts as material products to be understood in broadly historical terms. In short‚ literary works are viewed as a product of work (and hence of the realm of production and consumption
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of Literary Criticisms? * New Criticism / Formalism - This type of criticism concerns itself with the parts of a text and how the parts fit together to make a whole. Because of this‚ it does not bring in any information outside of the text: biography of the author‚ historical or literary allusions‚ mythological patterns‚ or the psychoanalytical traits of the characters (except those traits specifically described in the text.) * Archetypical or Mythic – This type of criticism looks at traditional
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representative of this writer’s artistic development? Atypical? C. Social Criticism 1. What is the social situation the work describes? Does the work reveal anything about the culture in which it is set? (consider food/eating‚ clothing‚ religion‚ work/economy‚ class/social structure‚ housing/architecture‚ tools/utensils‚ arts/recreation‚ family‚ sex roles‚ education‚ transportation) 2. What was the author’s attitude towards the social situation? 3. Does the writer seem to argue for a solution? Does
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Criticism Report on two Questionnaires 1- Customer expectations /Perception of Salesperson Performance questionnaire 2- Questionnaire Two: Gasoline Purchasing and Gasoline Prices Presented by Noha Kamel Omran GD Marketing Customer expectations /Perception of Salesperson Performance questionnaire I was positive about the questionnaire I took in the following points: The introduction was Ok‚ although it would have been more appealing and shorter
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• CRITICISM PHILOSOPHY o SECTION A: INTRODUCTION Not too many people can listen none defensively‚ or none antagonistically‚ to criticism. And very few of those who listen admit it when they see that they are wrong. The thing is‚ we think that admission of guilt‚ or of being wrong‚ or that we have made a mistake‚ is a sign of weakness. Yet true failure is repeatedly refusing to see your faults. Learning to listen to criticism is a life skill that we’d all do well to master. It is about keeping
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disillusion‚ this is not an enthusiastic age at all and people were not ready to fight for their ideals‚ they wanted peace‚ stability and entertainment. The best author of that period wrote silly dramas‚ comedies of manners‚ manners in the sense of social norms‚ in which only the surface matters‚ nothing else. Whatever feelings‚ emotions and passions someone had‚ it should not be expressed because it could ruin the reputation. Feelings lead to the foolishness‚ according to the people of the period
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Biographical Criticism Upon reading the opening of Langston Hughes poem‚ I recognized that there was a lot going on. It can be first noticed that this is an assignment given to him by his English instructor at his college. There is evidence that Langston started his homework immediately. This fact suggests that the assignment not only motivated him to write‚ but it caused him to think. The result is a path of reflection and opinions‚ which leads to an eye-opener of truth that everyone is
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Richard L. W. Clarke LITS2306 Notes 05A 1 MATTHEW ARNOLD “THE FUNCTION OF CRITICISM AT THE PRESENT TIME” (1864) Arnold‚ Matthew. “The Function of Criticism at the Present Time.” Critical Theory Since Plato. Ed. Hazard Adams. New York: Harcourt‚ Brace‚ Jovanovich‚ 1971. 592-603. Pragmatic theorists from Plato onwards have emphasised the impact which literature has on the reader. Here‚ Arnold‚ arguably England’s most important cultural critic in the second half of the nineteenth century and someone
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shifting of uncomfortable feelings and emotions about one person‚ such as a parent‚ to another‚ less authoritative figure‚ such as a co-worker or a therapist yonic symbol—an image that represents a vagina I. Psychological Criticism History and Development Psychological criticism examines the inner workings of the human mind and applies psychological theories to the interpretation of literature‚ specifically in the analysis of authors and their characters. This approach draws from the theories of
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Film Criticism Lee R. Bobker affirms that there are six rudiments that film criticism should involve to be effectual: 1. Theme of film 2. Quality of technical execution 3. Quality and nature of ideas in the film 4. Validity of ideas in the film 5. Individual contributions 6. Relationship of the film to other works by the same filmmaker Each of these essentials must be satisfied or the film criticism will lack its effectiveness. A true critic realizes the importance that they hold
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