is demonstrated in Shakespeare’s play Othello‚ where trust is used as the main key to destroy a man’s reputation. Trust is the foundation in any relationship however‚ as the characters in Shakespeare’s play Othello discover‚ being too trusting can be deadly. Cassio‚ a lieutenant appointed by Othello‚ the General of Venice‚ is a worthy and diligent man‚ although Iago‚ a secret villain‚ believes otherwise. Iago feels he is more deserving of this position and Othello should of chosen him instead. Although
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crucial effect of friends and usually authored his plays around the fundamental impact of others. Shakespeare’s Othello possesses a premise of one’s choice in friends supplementary to his other works. Shakespeare’s play Othello emphasizes the importance of good choices in friends through Othello‚ Cassio‚ and Rodrigo’s vulnerability to trust Iago. Iago is not a traditional villain for he plays a unique and complex role. Unlike most villains in tragic plays‚ evidence of Iago’s deception is not clearly
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Shakespeare’s play Othello to a very large extent. The entire play is shaped around revenge. Iago‚ who is seen as Shakespeare’s greatest villain is fueled by revenge. Iago has jealousy over Cassio’s position and has suspicions towards both Cassio and Othello of adultery with his wife Emilia. Out of vengeance Iago uses his ability to manipulate Othello and build jealousy and suspicions within him about his wife Desdemona. This jealousy in Othello leads to his revenge towards Desdemona resulting in
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Act 1 in Othello ----Sally Fu RACE William Shakespeare’s Othello explores the issue of race in his portrayal of the protagonist as a Moor which represents his tending marginal role in a Venetian society. In the play‚ characters are judged again and again based on appearances and outward characteristics. The protagonist’s different ethnic background provides a platform for probing ideas of racial conflict. This is exposed initially through the title of this play‚ “Othello‚ the Moor
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Throughout the play of othello iago used several techniques to urge what he wanted and one way or another he somehow almost continually got what he needed. His techniques were that of an everyday sneaky‚ conniving person‚ who continually got people to trust him‚ except the person who was closest to him. However the most overall techniques he used were gaining the trust of people. That was the number one technique‚ and from gaining their trust he may branch far from that and then he may manipulate
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into the id‚ ego‚ and superego. Together‚ these parts create one complex personality. William Shakespeare filled his plays with complex personalities knowing nothing of Freud’s theory. However‚ characters throughout all of Shakespeare’s works have strong affinities for their id‚ ego‚ or superego. From the psychoanalysis view‚ William Shakespeare’s dynamic characters in the play Othello can be derived using
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In Shakespeares Othello the characters are as much a victim of their own weakness as they are of Iagos plotting. Do power dynamics in Othello support this? Iago‚ whos charisma and intellect make him more powerful than Othello and Desdemona‚ proves that powerplay amongst the characters supports the fact that characters‚ specifically Othello and Desdemona‚ are equally victims of their own weakness as they are of Iagos plottings. Othello and Desdemonas weaknesses are race and gender respectively which
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Alienation Author(s): Edward Berry Source: Studies in English Literature‚ 1500-1900‚ Vol. 30‚ No. 2‚ Elizabethan and Jacobean Drama‚ (Spring‚ 1990)‚ pp. 315-333 Published by: Rice University Stable URL: http://www.jstor.org/stable/450520 Accessed: 01/05/2008 11:43 page 319 The most dramatic reactions to Othello’s blackness within the play are those of Iago and Roderigo in the opening scene. Their overt and vicious racism provides the background for Othello’s first appearance. For Iago Othello is "an old
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Shakespeare’s Othello and Oscar Wilde’s Lady Windermere’s Fan are two plays which males dominate and control. Gender discrimination was strongly evident throughout both the Jacobean and Victorian era in which both were written. Women were generally considered the ‘inferior’ gender with little purpose other than their domesticated role. Males were seen as more powerful with a harsh attitude towards females. Marilyn French examines that it’s a females “cultures dictum to be obedient to males‚” however
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The Green-Eyed Monster In William Shakespeare’s Othello‚ the power of jealousy dominates the play; at first‚ it’s Iago who is stricken with jealousy‚ when Othello appoints Cassio as his new lieutenant. Iago states‚ “And I‚ of whom his eyes had seen the proof at Rhodes‚ at Cyprus‚ and on other grounds…must be beleed and calmed by debitor and creditor‚”(I.i.29-32) after finding out he will be an ancient instead of a lieutenant. These words he has spoken show jealousy on his part because he wanted
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