this evidence disproves Odysseus being a hero and even a tragic one. In conclusion‚ Odysseus is not a hero. Heros are supposed to be role models‚ not god-angering crew killers. In fact‚ Odysseus himself barely survived his journey. Heros must influence society by proving how doing the right thing and being a commerable citizen leads to a happy things. When we accept someone as a hero‚ we also accept their flaws. Odysseus just has too many flaws to accept as a true
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In William Shakespeare’s Othello‚ the use of imagery and metaphors is significant in conveying meaning as it helps to establish the dramatic atmosphere of the play and reinforce the main themes. Through this‚ the audience is able to grasp a better understanding of the play. <br> <br>Throughout Othello‚ images relating to poison frequently occur. These references are predominantly made by Iago. This seems appropriate for Iago who exhibits the characteristics of poison; they being fatal and deadly
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nurtured by deceitful individuals. Such is the situation in Shakespeare’s Othello‚ which depicts the tragic downfall of an apparently perfect relationship. Shakespeare uses images of heaven in the beginning of the play to emphasize the seemingly flawless love between Othello and Desdemona. Furthermore‚ as the play progresses‚ the juxtaposition between heaven and hell is used to represent the manipulative powers of Iago over Othello revealing the weaknesses of Desdemona and Othello’s relationship. As a
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tragedy Othello‚ Shakespeare relinquishes the power to Iago‚ the playwright within the theatrical work‚ to invent the storyline. With this mastery‚ Iago devotes his time conspiring against Othello and Desdemona by using a handkerchief‚ a symbol of Othello’s mysterious past and his exoticness. Othello’s profusion of passion and trust catalyzes his collapse. Othello‚ a North African‚ and Cassio‚ a wealthy Venetian‚ do not foresee Iago to exploit their traits and turn these assets into flaws. The English
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In the tragedy Othello‚ Shakespeare creates a mood that challenges the way a person sees his or her self and the world. Subjects like racism‚ sexism‚ love‚ hate‚ jealously‚ pride‚ and trickery are thoroughly developed in the play of Othello to enable the audience to view the characters and also themselves. The Shakespearean tragedy of Othello was written in a time of great racial tensions in England. According to Eldred Jones‚ in 1600 just three years before Othello was written‚ Queen Elizabeth proclaimed
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which is associated‚ is a more general designation: Moor meaning “a muslim of mixed Berber and Arab descent.” Of course‚ much ink has been spilled about whether Othello is an ethnically marked inhabitant of North-Africa‚ a noble Arab‚ or from Sub-Saharan Africa (as in the epithet “black” when Iago says “we will drink the health of black Othello”). This distinction is no
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The Foils of Othello One of William Shakespeare’s many attributes as a playwright of the late 16th century was his character development. Shakespeare’s seamless use of indirect characterization sets his works apart from the other playwrights and authors of his time. In Othello‚ the Shakespearian tragedy about the newlywed Othello and Desdemona‚ Shakespeare uses character foils to emphasize the strengths and weaknesses of the characters. By making inwardly similar characters seem like polar opposites
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(Written in the style of a speech) William Shakespeare’s Othello is a play about reputation. The role of reputation is a major one as throughout the play we see the importance of how one is perceived. For some‚ to act in a certain way with self control ultimately leads them to strengthen their character and image. But for others it can be lost in a single action. The characters within the play struggle to keep their reputation for various reasons such as retribution or to keep a good name for
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Saint Joan is considered to be one of George Bernard Shaw’s greatest works. In the play‚ Shaw avoids many problems identified by critics as prevalent in some of his other writing. Some have criticized Shaw‚ claiming that he tends to portray unrealistic archetypal characters‚ rather than well-rounded believable individuals. His plays have also been described as lacking action and being too didactic. In Saint Joan‚ Shaw reduced the intensity of these previously criticized typically Shavian elements
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“Hatreds are the cinders of affection.” If you can find feelings of hate towards someone you love‚ it is because you truly love them. This is why Othello has so much hate towards Desdemona in act III. In act III‚ Iago plants the thought in Othello’s head that his wife‚ Desdemona‚ is having an affair with Cassio. Iago acts reluctant to answer Othello when he asks him if he feels Cassio is trustworthy‚ but it is all a performance put on to get in Othello’s head. Thoughts race through Othello’s
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