How is the theme of suffering portrayed in ‘Othello’‚ ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’? The theme of suffering can come in numerous varieties; under categories both physical and emotional. Suffering is presented as a key concept in ‘Othello’‚ ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’. All three texts explore many aspects of suffering in parts‚ however the most obvious and concentrated facet leans towards the psychological aspect rather then the physical side
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EXPOSURE AS A TRANSFORMATION OF OTHELLO? Mal Peet I believe has successfully transformed Othello into a ’modern day tragedy’‚ Exposure. He uses many similar characters‚ with many of the same personalities/motives. The two texts also explore many of the same themes‚ such as the outsider‚ racism and reputation. Mal Peet puts a modern spin on the tale. The two texts portray and explore the main themes through different structures and language features. Othello by William Shakespeare‚ written in
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Yoon Alex English 2 From Hero to Zero and Back Again In Shakespeare’s play Othello‚ the protagonist begins as a highly esteemed member of Venetian society but plummets into a spiral of jealousy and insecurity‚ losing both his reputation and his cherished lover. Despite blundering from one folly to the next‚ however‚ Othello ultimately displays qualities of a true hero. Although his actions grow increasingly serious and finally even murderous‚ the purity of his intentions is revealed through both
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Shakespeare gives daunting power to female characters in the classic story of "Othello". In a time where society viewed women as property whose purpose was primarily to serve and obey men‚ Shakespeare shows the rebellious strength in women throughout the scenes of "Othello". In the Elizabethan era the expectations of men and women were clear. Generally‚ men were to be the bread winner for his family and the women were meant to be mothers and housewives."Women were expected to be silent‚ chaste‚
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Throughout "Othello"‚ the theme of deception plays an important role. The arch-deceiver in this play is Iago. Iago ’s repeated deception moves the play forward to the climax and ultimately to the tragic ending. Although deception is always meant to deceive‚ the degree of deception varies upon the context of the situation. Another character that exhibits deception is Desdemona. The deception shown by Desdemona has a different intention as compared to Iago ’s. Iago wants to get revenge on Othello. The intentions
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nurtured by deceitful individuals. Such is the situation in Shakespeare’s Othello‚ which depicts the tragic downfall of an apparently perfect relationship. Shakespeare uses images of heaven in the beginning of the play to emphasize the seemingly flawless love between Othello and Desdemona. Furthermore‚ as the play progresses‚ the juxtaposition between heaven and hell is used to represent the manipulative powers of Iago over Othello revealing the weaknesses of Desdemona and Othello’s relationship. As a
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Two exhibitions‚ both held during October 2012‚ will form the bases of this comparative essay. Chanel’s fashion photography exhibition entitled ‘The Little Black Jacket: Chanel’s Classic Revisited’ held at the Saatchi Gallery 12th October - 4th November 2012‚ and Vermibus’ display of appropriated adverts called ‘Unmasking Kate’ shown at the Moniker Arts Fair 11th -14th October 2012 will be used to explore the links each exhibition has to the themes of advertising and celebrity. ‘The Little Black
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was this poem’s expressive purpose? The poem’s expressive purpose is to explain to the Count’s servant why he‚ the Duke‚ doesn’t have a Duchess anymore. The first line of the poem‚ “That’s my last Duchess painted on the wall‚ looking as if she were alive‚” hints of the last Duchess’s death and the rest of the poem elaborates on the complete story of the last Duchess. Throughout the poem‚ we discover that the main reason for the last Duchess’s disappearance was because the Duke felt threatened by her
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cover most of the uses of "monster" throughout "Othello." However‚ the word is still used in many different ways. The connotation of the word depends upon the tone of the scene. For example‚ in the beginning‚ before any real drama develops‚ "monstrous" is used only to describe the tempestuousness of the sea. However‚ later‚ as the plot thickens and problems develop‚ the word monster begins to describe horrible acts or people. A number of times‚ Othello is referenced as a monster by both others and
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lies and Othello will be forced to believe him because he will be too submerged in doubt and suspicion to see the truth. In act 3‚ scene 3‚ when Cassion parts from Desdemona‚ Iago makes it appear as if Cassio “steal away so guilty-like”(Shakespeare‚ act 3‚ scene 3) because he did not want to be seen with Desdemona. While it appears really bad from Othello point of view‚ the reality of it is completely different. Cassio‚ who has been demoted‚ wishes to gain back his good will with Othello with Desdemona’s
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