Act 1 in Othello ----Sally Fu RACE William Shakespeare’s Othello explores the issue of race in his portrayal of the protagonist as a Moor which represents his tending marginal role in a Venetian society. In the play‚ characters are judged again and again based on appearances and outward characteristics. The protagonist’s different ethnic background provides a platform for probing ideas of racial conflict. This is exposed initially through the title of this play‚ “Othello‚ the Moor
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In the essay “Triumph of the Lens‚” the author describes the emotional appeals that were used during the 1935 film Triumph of the Will to persuade the audience into believing Adolf Hitler was an appropriate leader for the Germans. The author notes how the film’s director‚ Leni Riefenstahl‚ used ethos (ethics)‚ pathos (emotion)‚ and logos (logic) to relate to the audience’s senses. The author comes to a realization that these techniques are very powerful influences in the way it can shift a person’s
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OTHELLO AND UNFORGIVEN How do the values represented in Othello and Unforgiven resonate with the contemporary audiences? Values are the principles of behavior that is regarded to the importance and exchangeability. Universal values represented in Othello and Unforgiven evidently depicts with the contemporary audiences as it reflects through the fundamental issue regarding definition of what is ultimately real as opposed to what is merely apparent. Without a doubt this is shown through the conflicting
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interact with the world. Analysis of the text ‘Othello’ and its connectivity of characters discern themes such as betrayal‚ reputation and a patriarchal society‚ accompanied by unique contextual values. It is these abstract ideas which seek to explain the human condition and thus remain intriguing to a modern viewer. Betrayal dictates the course of the play and is most prominent in that of Iago and Othello. The twist begins through dramatic irony as Othello says “Iago is a man of honesty and trust”.
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In othello‚ this happens when Iago (a close and trusted friend of othello) tells othello that his wife has been unfaithful to him and has been cheating on him with a fellow soldier named Cassio who is a flamboyant florentine who was a lady’s man. Iago manipulates othello and says in Act 3‚ Scene 3;"O‚ beware‚ my lord‚ of jealousy!It is the green-eyed monster which doth mockThe meat it
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eyes to see:/She has deceived her father‚ and may thee" (1.3.292-293). This early seed of doubt allows Iago to play on Othello’s jealous nature‚ and concoct a plan to take advantage of Othello. Iago slowly leaks his poison into Othello and soon has the result he desires‚ Othello is overcome with jealousy. Othello continuously denies his jealousy‚ but it is apparent that he is losing his mind with the thought of Desdemona’s unfaithfulness. He speaks to Iago saying "No Iago;/I’ll see before I doubt;
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racism provides the background for Othello’s first appearance. For Iago Othello is "an old black ram" (I.i.88)‚ "the devil" (I.i.91)‚ and a "Barbary horse" (I.i.lll); the consum-mation of his marriage is a making of "the beast with two backs" (I.i.115-16). Roderigo‚ who shares Iago’s disgust‚ speaks of Desde-mona’s "gross
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Envy In William Shakespeare’s Othello‚ desire manifests itself in Iago‚ compelling readers to see him as if he were a leech; Iago drains Othello of all his moral qualities until he is sucked dry. Similarly‚ Shylock in Shakespeare’s The Merchant of Venice indulges in seeing Antonio sucked dry of money. Both Iago and Shylock are compelled to see their enemies suffer through means that once deprived them‚ such as Iago being deprived of his rank and Shylock being deprived of money and respect. Although
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Act i. sc. i. ADMIRABLE is the preparation‚ so truly and peculiarly Shakspearian‚ in the introduction of Roderigo‚ as the dupe on whom Iago shall first exercise his art‚ and in so doing display his own character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty
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Critical Lens: The Pearl L.M. Montgomery once said‚ “we pay a price for everything we get or take in this world.” Every decision and everything we take‚ in the hopes of bettering our lives‚ will come with a price a pay. What he is saying is the choices we make in life‚ whether they be good or bad‚ consequences are received. These consequences don’t necessarily have to be bad nor have to be good on your part. The Pearl by John Steinbeck provides us with a character that gives enormous sacrifices
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