Deception In Othello One may readily perceive the theme of Shakespeare’s "Othello" as deception. Deception appears many times in Othello‚ but in almost every incident the degree of deception is different. Deception is to "deceive another‚ illusion‚ or fraud" (Webster’s New World Pocket Dictionary 69)‚ which is seen as a wrongful act. However‚ deception may be used to protect someone from getting hurt therefore being used with good intentions. The very first act of deception is done by the
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other. In William Shakespeare’s play Othello‚ he suggests otherwise. Both Desdemona and Emilia were killed by their husbands. The only girl left at the end of the play is Bianca‚ a prostitute. Marriage‚ while generally a positive concept‚ is fatal and dangerous in William Shakespeare’s play Othello. Both Desdemona and Othello were happy with their marriage until Iago purposely sabotaged it. He convinced Othello that Desdemona was cuckolding him. When Othello believed Iago’s lies and decided to kill
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Iago’s weakness: jealousy; he’s jealous of Othello & Cassio along with the success that comes with Desdemona insecure fixated with sex intelligent *misogynist—hater of women *androgyist-- hater of humans cruel: bad husband Desdemona: innocent? Direct Confident Elevated social class--comes from a very high class/social class compared to everyone else. intelligent beautiful Desdemona helps Othello’s self esteem: confidence booster. Othello: Honorable Charismatic *Experienced Confident
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What are the major themes in “Othello” and how are they explored The play “Othello” written by English playwright William Shakespeare is a timeless tale that vividly portrays the downfall of the noble Moore‚ Othello. The play itself is tragic in nature because it vividly portrays Othello “falling from Grace” through the exploitation and deceit that is orchestrated by the Machiavellian villain‚ Iago. The key themes that encompass the play are that of deception‚ manipulation and jealousy. Each of
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which is associated‚ is a more general designation: Moor meaning “a muslim of mixed Berber and Arab descent.” Of course‚ much ink has been spilled about whether Othello is an ethnically marked inhabitant of North-Africa‚ a noble Arab‚ or from Sub-Saharan Africa (as in the epithet “black” when Iago says “we will drink the health of black Othello”). This distinction is no
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The Foils of Othello One of William Shakespeare’s many attributes as a playwright of the late 16th century was his character development. Shakespeare’s seamless use of indirect characterization sets his works apart from the other playwrights and authors of his time. In Othello‚ the Shakespearian tragedy about the newlywed Othello and Desdemona‚ Shakespeare uses character foils to emphasize the strengths and weaknesses of the characters. By making inwardly similar characters seem like polar opposites
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In Othello‚ Moorish General of the Venetian army‚Othello is placed among the Elite social ranking due to his military prowess but is also disrespected due to his race as a black Muslim;he lives in a society where the majority of the population is white skinned. Similarly‚ because the media has such a great influence on society‚ the gaming community in modern society does gain recognition for how video games (VG) improve the human brain‚ but also heavy criticism whenever someone sees a member of the
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language to interpret and understand the complexities of our own social system‚ it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello‚ Moor of Venice‚ discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the marginalisation and empowerment of primary female characters. The Elizabethan era marked an interesting
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Shakespeare’s play “Othello” both challenges and reflects the values and beliefs of his Elizabethan context. To please his audience Shakespeare’s presentation of Venetian society replicates English society and therefore the audience is positioned to see the Venetians as upholding English Christian beliefs. Yet Shakespeare also challenges Elizabethan audience’s perception of ethnicity and race through the characterisation of Othello as being foreign in appearance but having status in the armed forces
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protagonist Othello and the villain‚ Iago‚ we see many different ways in which Shakespeare uses structure and language to explore control. In terms of language‚ Shakespeare uses repetition at the beginning of the passage between Othello and Iago. Everytime Othello poses a question‚ Iago retaliates by simply repeating the question back to Othello‚ for example‚ "Is he not honest?"‚ "Honest my Lord?". By using this repetition‚ Iago asserts his control over not only the conversation but also Othello. This
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