Othello In the world there are many forms of temptation. One form is evil. In the play Othello by William Shakespeare a very strong character plays the role of evil. From the outside looking in‚ Iago may seem like the good guy with all good intentions but as the play goes on and his plan unravels the evil side appears. Married to Iago‚ Emilia is faced with many challenges with Iago’s evil side. Starting off innocent and quiet Emilia has to find the courage to take a stand in her own life to save
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| Enter OTHELLO‚ LODOVICO‚ DESDEMONA‚ EMILIA and attendants | OTHELLO‚ LODOVICO‚ DESDEMONA and EMILIA enter‚ with attendants. | | LODOVICOI do beseech you‚ sir‚ trouble yourself no further. | LODOVICOPlease‚ sir‚ don’t trouble yourself. | | OTHELLOOh‚ pardon me‚ ’twill do me good to walk. | OTHELLOI beg your pardon; walking will make me feel better. | | LODOVICOMadam‚ good night. I humbly thank your ladyship. | LODOVICOGood night‚ madam. Thank you. | | DESDEMONAYour honor is most welcome
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Act i. sc. i. ADMIRABLE is the preparation‚ so truly and peculiarly Shakspearian‚ in the introduction of Roderigo‚ as the dupe on whom Iago shall first exercise his art‚ and in so doing display his own character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty
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Literary Commentary: Iago’s First Soliloquy In Othello‚ Shakespeare exposes Iago’s true self to the audience‚ or what we think of as his true self. During the last passage in Act I Scene III‚ Iago is alone on stage and delivers his first soliloquy‚ where the character shares his inside thoughts. When Iago shares his thoughts concerning Othello‚ his character starts to come out more. Shakespeare characterizes Iago as someone who wants revenge on Othello and plans a scheme to quench his thirst for vengeance
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Jealousy in Othello "O‚ Beware‚ my lord‚ of jealousy! It is the green-eyed monster (3.3.195-96)..." If a monster with green eyes were coming at an individual‚ what would one do? The answer of course‚ depends on the circumstances of that particular person. Would one permit the green-eyed monster to destroy his or her own mind‚ and control his or her every move? In this case the green-eyed monster would indeed be jealousy. so lets use Iago for example. He was prejudice towards the African American
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through his works for the first time‚ Shakespeare crafted dynamic paradigms for the average downtrodden woman to aspire up to. He conveyed profound statements about the backwards nature of the shibboleths that were commonly held. In his tragedy Othello‚ Shakespeare upheaves the status quo through the strong female character Emilia. His disapproval of the traditional stance is indicated by the creation
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important characters. A literary foil is a character who serves to highlight the character traits of one or more other characters by presenting a contrast. In the play Othello‚ the author‚ William Shakespeare‚ presents Emilia‚ the antagonist Iago’s wife‚ as a literary foil to Desdemona‚ the protagonist Othello’s wife. In Act 4 Scene 3 of Othello‚ Emilia and Desdemona discuss the morality (or immorality) of infidelity. While Emilia says she would sleep with other men if she‚ in return‚ receives power‚ Desdemona
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Shakespeare’s play‚ ’Othello’ and in Mike Nichols film‚ ’Primary Colours‚ present the Art of Deception through the characters of Iago and Jack Stanton. The era in which both texts are presented gives off a different reason why both characters use deception to gain what they are looking for‚ thus context plays an important role in how deception is presented‚ and affects both the meaning and values of each text. Whilst both texts portray deception as the driving force in their plots‚ the motives‚ methods
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The tragedy Othello is filled with a complex web of separate conflicts that are connected with each other. The external conflicts are very obvious‚ such as Iago trying to replace Cassio as lieutenant and Othello’s belief in Desdemona’s affair. In addition to these conflicts‚ however‚ many characters in the play also face their own internal conflicts in which they have to make a choice between two opposing forces. An excellent example of this internal conflict can be found in analyzing Roderigo. Roderigo’s
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This last show that we currently produced here at Hutchinson Community College which was Othello was a show that I wasn’t used too for different reasons. The first one was that I have never seen a production of Othello at all so I had no clue of what to expect with not only the acting but the design aspects of it as well. There were four design aspects that were different to me which were set‚ sound‚ costume and lights. None of these aspects are really my forte‚ these past two years is where I have
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