The Dimensions of Othello the Tragic Hero How does one define a “tragic hero?” Aristotle illustrates such a character as an overall great person with very noble traits‚ but one who is not perfect. Many will look up to these tragic heroes; however each hero will have a specific flaw. This “tragic flaw” will ultimately lead to that character’s downfall. Also‚ these characters will often have the abilities to both recognize their tragic flaws in the end and also connect with the audience in some way
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Othello is a play which contains many conflicts between the characters. The main conflicts in ‘Othello’ are between friends and foes. Othello’s inner conflict‚ cultural and racial differences which lead to racial judgement and discrimination‚ to express these conflicts; Shakespeare uses many techniques such as soliloquies‚ dramatic irony‚ imagery foreshadowing and symbolism. Amongst the main characters there are many conflicts‚ however the main reason for most of the conflict if Iago and Shakespeare
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through his works for the first time‚ Shakespeare crafted dynamic paradigms for the average downtrodden woman to aspire up to. He conveyed profound statements about the backwards nature of the shibboleths that were commonly held. In his tragedy Othello‚ Shakespeare upheaves the status quo through the strong female character Emilia. His disapproval of the traditional stance is indicated by the creation
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the tragic play Othello‚ Shakespeare illustrates many different types of love. In many cases however‚ this love proves to be misguided or false. Because a plethora of imprudent relationships control the characters; Shakespeare utilizes mistaken love to derail the one true love in the play between Othello and Desdemona. Ultimately the tragic ending of this play evolves from a culmination of misguided love between: Iago and Roderigo‚ Cassio and Bianca‚ as well as Iago and Othello. The play opens
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modern-day Othello. Both are praised for their contributions to society‚ but both are also harassed based on the effects of other individuals. While both may take place in different time eras‚ 16th century for Othello and 20-21st for video games‚ both share similarities in the eye of the public. In Shakespeare’s Othello‚ the main character‚ Othello‚ is a Moorish general in the Venetian army during the 16th century. However‚ because of the culture and the time of the play’s creation‚ Othello was praised
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important characters. A literary foil is a character who serves to highlight the character traits of one or more other characters by presenting a contrast. In the play Othello‚ the author‚ William Shakespeare‚ presents Emilia‚ the antagonist Iago’s wife‚ as a literary foil to Desdemona‚ the protagonist Othello’s wife. In Act 4 Scene 3 of Othello‚ Emilia and Desdemona discuss the morality (or immorality) of infidelity. While Emilia says she would sleep with other men if she‚ in return‚ receives power‚ Desdemona
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complex personalities knowing nothing of Freud’s theory. However‚ characters throughout all of Shakespeare’s works have strong affinities for their id‚ ego‚ or superego. From the psychoanalysis view‚ William Shakespeare’s dynamic characters in the play Othello can be derived using
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Identity is a very key‚ important thematic issue in William Shakespeare’s tragic drama‚ Othello. Identity‚ or what may be better explained as a character’s public perception‚ is highly valued in the Elizabethan Age in which Othello is set. There is a varying range between the characters in the extent that how they are perceived in public is not how they behave in private or how they really are‚ thus creating more than one identity per character. A character’s identity is the overall essence of
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Othello In the play Othello‚ William Shakespeare helps portray the idea that Othello’s temperament has lead to his own downfall. Othello‚ a Moorish general in the Venetian army‚ constantly shows how he is too trusting throughout the play. For example‚ he willingly states “My life upon her faith” (1.3‚ 335). Othello says this to Brabantio after he explains how Desdemona has deceived her own father‚ meaning it could happen to Othello as well. By declaring this‚ Othello is staking his life on Desdemona
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Othello OneNote notes: Act 1 Scene 1: The action of the first scene heightens the audience’s anticipations of Othello’s appearance - He is identified in terms of his rare/an outsider (’The Moor"‚ ’the thick-lip’‚ ’A Barbary horse’ exogamous marriage. Because of this we know what Iago is like‚ we feel sympathy of Othello especially with him as an outsider and Iago is pretending to be his friend. Very moment he should be at his happiest‚ they’re plotting to destroy it. Duplicity of Iago. Two extremes;
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