In the play Othello by William Shakespeare the antagonist Iago believes that he only told Othello his thoughts and “no more than what he found himself was apt and true”. In the end there is doubt as to who is responsible for the tragedy that occurs. This tragedy is where Iago murders Emilia and Roderigo and Othello murders Desdemona and commits suicide. The end of the play suggests that it is Othello who is responsible for the tragedy that unfolds as it was him that ended up murdering Desdemona and
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confidence”(Johnson218).Iago’s motives for his actions may be jealousy‚ greed‚ paranoia ‚ and even the simple fact of seeing if he can get away with it. Iago has built a reputation that yields its own gravity. If Shakespeare’s setting took place in America‚ Iago would be the American dream. He’s married‚ he is a sound soldier‚ has an affinity for people‚ and is always there to help someone in need. Iago is the typical role model. What society fails to realize is that Iago does noble acts when visible
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In othello‚ this happens when Iago (a close and trusted friend of othello) tells othello that his wife has been unfaithful to him and has been cheating on him with a fellow soldier named Cassio who is a flamboyant florentine who was a lady’s man. Iago manipulates othello and says in Act 3‚ Scene 3;"O‚ beware‚ my lord‚ of jealousy!It is the green-eyed monster which doth mockThe meat it
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Othello Brief Summary: Othello is a Moor and immigrant to Venice and is the Vanehon republic’s most admired military commander. Desdemona becomes enchanted‚ falls in love and elopes with Othello. As the play begins Venice is about to be attacked by the Ottoman Turks. The leaders of Venice call upon Othello to lead their forces but Brabantio‚ an influential senator‚ is also Desdemona’s father. Enraged to discover that she has married Othello he accuses the Moor of using witchcraft to steal his
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the climax of the play‚ as Iago completes his manipulation of Othello and decides that he must now let nature run its course. The scene depicts Othellos declining mental condition as Iagos supposed evidence‚ which in some parts has descended to complete lies‚ begins to take its effect on the once great general. The latter part of Act 3 Scene 3 is the climax of the play. It is here where Iago finally convinces Othello of his wifes dishonesty with Cassio and after which Iagos just needs to let nature
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In the play Othello by William Shakespeare the current state of affairs is disturbing. Schemes‚ lies and murder are what now defines the characters. Iago is to blame for this chaos. At the beginning of the play Othello was the noble stature‚ a person that was well respected and a person that people could look up too. As the play goes on and Iago’s plan becomes reality Othello achieves human flaw. While the audience wishes to believe in Othello‚ his errors cause them to slowly lose hope. Iago’s deceiving
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Analyse the Methods Iago Uses to Persuade Other Characters in Othello to his Point of View. Iago uses some excellent‚ persuasive methods to deceive his characters into thinking that his point of view is correct. Iago’s plots are made to sync in with the general design of the play‚ in that it is upon these contrived situations that all the tragedy is born from. The characteristic feature of all of Iago’s plots is that they seek to undermine attitudes and positions of others. He either plants seeds
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William Shakespeare’s character‚ Othello‚ testifies to the fact that everyone‚ no matter their rank in society‚ can be made vulnerable when they are brought to questioning their sense of self. As a person matures and enters into adulthood‚ they take on many different types of responsibilities as a functioning part of society. Society characterizes its members based on how effectively they deal with their responsibilities‚ and furthermore an individual’s identity and sense of self derive in part
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non-dramatic text offered on the module‚ (an extract from Samuel Taylor Coleridge’s Literary Remains‚) and show how it might help us understand Othello. The extract presents a sustained attack by Coleridge on Shakespeare for his lack of realism in the ’monstrous’ depiction of a marriage between a ’beautiful Venetian girl‚’ and a ’veritable negro‚’ in Othello. He sees Shakespeare’s transformation of a ’barbarous negro’ into a respected soldier and nobleman of stature as ’ignorant’‚ since at the time
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Othello Notes: Assessment Objectives: AO1: A consistently fluent‚ precise writing‚ using critical terminology to present a coherent and detailed argument in which the question is well understood and answered. AO2: Well developed‚ analytical and consistently detailed discussion of effects of language‚ form and structure and ways in which it affects the audience. AO3: Well informed and detailed discussion of different readings of the text by various audiences‚ as well as different critical
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