femininity and masculinity is a gender to make people identify themselves as masculine or feminine in another way I can say to be a man or woman in the society. In the article‚ he did not suggest the men to be in competition of sexuality with women. He shows a decision made between the two-gender related to female or male and scary‚ brave or emotional. He encourages masculinity as well as femininity and he conform There is a compare on how femininity can define themselves as female‚ and masculinity can define
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the minds of Othello and Macbeth. Both Emilia (or Desdemona) and Lady Macbeth are characters in difficult circumstances. Explore how Shakespeare uses language and dramatic technique to present the stresses they endure. Explore how Shakespeare uses language and dramatic technique to present the weakness in the characters of Othello and Macbeth. Plan 1. Iago and the witches act as catalyst in the plays as they introduce new ideas into the play‚ was well as Macbeth and Othello. Furthermore
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Simon Thomson The construction of masculinity in Beowulf: hæleð under heofenum or selerædenne? As it opens‚ Beowulf appears to leap confidently‚ taking audience with narrator into the shared world of story with wit and certainty: Hwæt! We gardena in geardagum (l.1) Listen! We of the Spear Danes in the past days...1 Immediately‚ however‚ this certainty becomes qualified: we are not part of an admiring audience to the glittering past‚ and have not heard of the gardena themselves
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would any father. He feels betrayed not only by Desdemona but by Othello as well. It is a humiliating experiels as if he has lost his property to Othello‚ fathers of that time period had more control over their daughters. He is convinced that Desdemona only would marry Othello if the Moor had cast a spell on her using dark magic. He is motivated to protect his daug and his signature line of the play is his last‚ a warning to Othello‚ “Look to her‚ Moor‚ if thou hast eyes to see. She has deceived
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OTHELLO In the play Othello‚ the character of Othello has certain traits‚ which make him seem naive and unsophisticated‚ compared to many other people. This is why Iago‚ is able to manipulate him so easily. Iago told Roderigo‚ "O‚sir‚ content you. I follow him to serve my turn upon him "(I‚ i lines 38-9). Iago is saying‚ he only follows Othello to a point‚ and upon reaching it he will not follow him any longer. This is the first sign of how deceitful Iago will be. Iago has his own evil agenda
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English 2 Jealousy Shakespeare’s Othello portrays the effect of emotions. Throughout the play love and jealousy are the most prominent emotions. The characters’ emotions lead them into making the decisions that make this play a tragedy. Although some may argue love is the most important emotion in Othello‚ nevertheless jealousy truly is because it makes Othello and Iago make awful decisions. On one hand‚ some people might say love is the most important emotion in Othello because Iago’s motive for his
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The Importance of Reputation in Othello In William Shakespeare’s Othello‚ there are many motives that drive the direction of the play’s characters. None more prominent than reputation. Reputation is simply part of one’s life‚ none can dispute that fact. To some it is a blessing‚ to others it is a curse. Throughout the duration of the play‚ the characters Iago‚ Othello‚ and Cassio display the importance of reputation. Iago’s honest reputation‚ Othello’s war fought reputation and Cassio’s desperation
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Masculinity and World War II The image of Man has changed throughout time. Dominant constructions of masculinity‚ which are basically attempts to stabilize gender identity‚ are developed within the dynamics of shifting cultures and societies. The male stereotype‚ which is still prevails nowadays‚ started rising at the end of eighteenth – beginning nineteenth century in Europe with a great concentration on the male’s body. The stereotype made the world look at man more like a type rather than an
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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