Othello: The Other Race and religion seem to be very prevalent in Shakespeare’s Othello. From the beginning of the play the reader gets the impression that the protagonist‚ Othello the Moor‚ is considered an “other” in the Venetian society. Othello’s high military ranking gives him the respect of the characters in the play‚ but his race and religion are brought up a lot throughout the play in the speech of the characters in the play. Despite the characters in the text constant dehumanization of
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OTHELLO THEMES The incompatibility of military heroism and love; the danger of isolation- Othello is the perfect soldier‚ but his directness means he is unable to understand the subtleties of political life and affairs of the heart. Jealousy Jealousy 1: The play opens with a discussion of jealousy. Iago is upset because Othello selected Michael Cassio as his lieutenant. He is jealous of Cassio’s position both in the military and with Othello’s service. This initial jealousy is the catalyst
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In the story of Othello by William Shakespeare it is easy to see that there is competition going on just as there is in his other plays. In this story the competition is light versus darkness or as some may see it good versus evil. The definition for lightness in this story is innocents‚ purity love and goodness. Also the definition for darkness would be malevolence‚ betrayal and hate. There are three main characters in this play including Iago‚ Desdemona and Othello. Then there are three side characters
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Identity is a very key‚ important thematic issue in William Shakespeare’s tragic drama‚ Othello. Identity‚ or what may be better explained as a character’s public perception‚ is highly valued in the Elizabethan Age in which Othello is set. There is a varying range between the characters in the extent that how they are perceived in public is not how they behave in private or how they really are‚ thus creating more than one identity per character. A character’s identity is the overall essence of
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demonstrated in Shakespeare’s play Othello‚ where trust is used as the main key to destroy a man’s reputation. Trust is the foundation in any relationship however‚ as the characters in Shakespeare’s play Othello discover‚ being too trusting can be deadly. Cassio‚ a lieutenant appointed by Othello‚ the General of Venice‚ is a worthy and diligent man‚ although Iago‚ a secret villain‚ believes otherwise. Iago feels he is more deserving of this position and Othello should of chosen him instead. Although
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Othello In the play Othello‚ William Shakespeare helps portray the idea that Othello’s temperament has lead to his own downfall. Othello‚ a Moorish general in the Venetian army‚ constantly shows how he is too trusting throughout the play. For example‚ he willingly states “My life upon her faith” (1.3‚ 335). Othello says this to Brabantio after he explains how Desdemona has deceived her own father‚ meaning it could happen to Othello as well. By declaring this‚ Othello is staking his life on Desdemona
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analysis of representation of masculinity in music magazines‚ with particular reference to Kerrang and NME magazine ‘Representation is the construction and aspects of reality in any medium‚ especially mass media. It can be presented in speech‚ writing‚ still and moving pictures.’ For my research investigation I will be analysing the representation of masculinity in music magazines‚ and will do this by studying the codes and conventions that cause the representation of masculinity ion two magazines. These
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Othello OneNote notes: Act 1 Scene 1: The action of the first scene heightens the audience’s anticipations of Othello’s appearance - He is identified in terms of his rare/an outsider (’The Moor"‚ ’the thick-lip’‚ ’A Barbary horse’ exogamous marriage. Because of this we know what Iago is like‚ we feel sympathy of Othello especially with him as an outsider and Iago is pretending to be his friend. Very moment he should be at his happiest‚ they’re plotting to destroy it. Duplicity of Iago. Two extremes;
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Construction of masculinity represents supremacy and authority on femininities and on another form of masculinity. It replicates and shapes the man’s social association with women and other men. Additionally‚ masculinity construction reflects the socially dominating gender construction that subordinates feminine together with the other males. As explained in the Coates’ book ‘The world and me‚’ it is clear that construction of masculinity is a component of survival in many schools. She explains how
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Shakespeares “Othello‚ The Moor of Venice” play‚ there are several motifs of power‚ jealousy‚ contempt‚ and even well-disguised hatred. There are also underlying innuendoes in the story that suggest or prompt the reader to feel the same as the character that they are reading about and who they are speaking of. Upon reading the opening act‚ as Iago speaks with Roderigo‚ there are hints of Iago’s jealousy toward Cassio for being appointed as Officer‚ and a slight contempt for Othello as well. Even
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