Iago of "Othello" What makes a good villain? What qualities make one villain stand out from another? Is it their demeanor‚ ruthlessness‚ or the methods that they employ to accomplish their tasks? In any case‚ a great villain must leave the reader with a respect for their methods and a question about their motives. In Shakespeare’s Othello‚ there is one character in Iago that fulfills all of these qualifications. Iago is a wonderful villain because he gains other’s trust‚ relentlessly takes advantage
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the partnership and possibly end it. Shakespeare’s protagonist‚ Othello‚ becomes deceived and unable to decide in whom to place his trust. The noble Moor chooses wrongfully and places himself under the loyalty of Iago‚ allowing him to corrupt and transform him‚ destroying his sanity and relationships with others. Consequently‚ the Moor’s trustworthiness and envy become his weaknesses and result in his downfall. In the play "Othello"‚ by William Shakespeare‚ the protagonist’s flaws contribute to
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in understanding the human flaws and how they can lead to eventual downfall is one that Shakespeare’s plays embody. However‚ there is such a play that contains these elements‚ yet it manipulates the genre’s conventions for a new effect‚ the play Othello. This play is centered around a Moorish noble‚ a soldier who faces conflict regarding his beloved Venetian wife. The themes present in this play are that of trust‚ jealousy‚ honesty‚ love‚ stereotypes‚ friendship‚ and above all deception. Through
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Othello: The Outsider (Acts 1 and 2) It is without a doubt that Shakespeare chooses to expound on the concept of the outsider in the first two acts of the play because this concept or theme will be of paramount importance especially in the later parts of the play. Shakespeare seeks to craft this concept of the outsider in a dramatically effective manner by giving definition to what constitutes being an outsider and what are the implications of being an outsider. This essay ultimately argues that
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Explication Othello: 3.3. 258-271. “Why did I marry? ......I do beseech your Honour.” 1. Determine the context of the passage. Othello is doubting Desdemona‚ and Iago is trying to plant the idea that Desdemona has a hidden agenda with trying to persuade Othello to reinstate Cassio. 2. Describe the passage in its most overt form. (Does it rhyme‚ does it repeat phrases‚ words‚ etc. This passage does not have a rhyme scheme. The only repeat phrases that seem to really
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To what extent can Othello be considered a ‘tragic hero’? The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle‚ a tragic protagonist is a nobleman or person from high status‚ who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high
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language to interpret and understand the complexities of our own social system‚ it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello‚ Moor of Venice‚ discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the marginalisation and empowerment of primary female characters. The Elizabethan era marked an interesting
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In Shakespeare’s tragedy ‘Othello’‚ the audience experiences a definite sense of sexism which roots from numerous characters in the play. Sexism is behaviour which is abusive or discriminatory towards the opposite sex. Throughout ‘Othello’‚ women are abusively spoken to being called “strumpets” and “whore[s]” and accused of all sorts of crimes which they did not commit. There are only three women in the play and each one is portrayed as either being innocent‚ naïve and unintelligent or as a prostitute
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extended by Sax to highlight issue of a continual prevalence of racism in the 20th century. The characterisation of Othello‚ in Shakespeare’s text‚ as a dark skinned but respected general‚ accentuates his alienation from the rest of the society despite his position‚ thus rejecting the ideology of providentialism and the Great Chain of Being at the time. The audience is introduced to Othello as “he” or “him”‚ unnamed until Act I Scene iii‚ consequently degrading and distancing him from the rest
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our dark and dangerous dreams for the purpose of improving our lives.” Discuss the aptness of this statement with reference to one or more Shakespearean plays you have studied. Two parts‚ Ambition and Revenge. Two major themes in both Hamlet and Othello. Make constant 9 Ambition Shakespeare warns audiences against ‘dangerous or amoral ambition’ through the tragedy format. Both Iago and King Claudius fail at what they attempt to do or at maintaining their new position of power. King Claudius ends
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