“Hatreds are the cinders of affection.” If you can find feelings of hate towards someone you love‚ it is because you truly love them. This is why Othello has so much hate towards Desdemona in act III. In act III‚ Iago plants the thought in Othello’s head that his wife‚ Desdemona‚ is having an affair with Cassio. Iago acts reluctant to answer Othello when he asks him if he feels Cassio is trustworthy‚ but it is all a performance put on to get in Othello’s head. Thoughts race through Othello’s
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In othello‚ this happens when Iago (a close and trusted friend of othello) tells othello that his wife has been unfaithful to him and has been cheating on him with a fellow soldier named Cassio who is a flamboyant florentine who was a lady’s man. Iago manipulates othello and says in Act 3‚ Scene 3;"O‚ beware‚ my lord‚ of jealousy!It is the green-eyed monster which doth mockThe meat it
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degrades and controls Emilia‚ Iago also commonly insults females in general. Othello also shares his misogynistic views as he constantly hits Desdemona in public and later accuses her of sleeping with Cassio Act 5 scene 2 line 20 ’So sweet was ne’er so fatal’ This shows Desdemona’s sweetness has brought her to where she is now‚ leading to her own death because she has slept with another man‚ can also be seen as Othello describing his kisses as fatal as they will be followed by murder but Desdemona
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Othello In the world there are many forms of temptation. One form is evil. In the play Othello by William Shakespeare a very strong character plays the role of evil. From the outside looking in‚ Iago may seem like the good guy with all good intentions but as the play goes on and his plan unravels the evil side appears. Married to Iago‚ Emilia is faced with many challenges with Iago’s evil side. Starting off innocent and quiet Emilia has to find the courage to take a stand in her own life to save
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| Enter OTHELLO‚ LODOVICO‚ DESDEMONA‚ EMILIA and attendants | OTHELLO‚ LODOVICO‚ DESDEMONA and EMILIA enter‚ with attendants. | | LODOVICOI do beseech you‚ sir‚ trouble yourself no further. | LODOVICOPlease‚ sir‚ don’t trouble yourself. | | OTHELLOOh‚ pardon me‚ ’twill do me good to walk. | OTHELLOI beg your pardon; walking will make me feel better. | | LODOVICOMadam‚ good night. I humbly thank your ladyship. | LODOVICOGood night‚ madam. Thank you. | | DESDEMONAYour honor is most welcome
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Act i. sc. i. ADMIRABLE is the preparation‚ so truly and peculiarly Shakspearian‚ in the introduction of Roderigo‚ as the dupe on whom Iago shall first exercise his art‚ and in so doing display his own character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty
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Jealousy in Othello "O‚ Beware‚ my lord‚ of jealousy! It is the green-eyed monster (3.3.195-96)..." If a monster with green eyes were coming at an individual‚ what would one do? The answer of course‚ depends on the circumstances of that particular person. Would one permit the green-eyed monster to destroy his or her own mind‚ and control his or her every move? In this case the green-eyed monster would indeed be jealousy. so lets use Iago for example. He was prejudice towards the African American
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through his works for the first time‚ Shakespeare crafted dynamic paradigms for the average downtrodden woman to aspire up to. He conveyed profound statements about the backwards nature of the shibboleths that were commonly held. In his tragedy Othello‚ Shakespeare upheaves the status quo through the strong female character Emilia. His disapproval of the traditional stance is indicated by the creation
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important characters. A literary foil is a character who serves to highlight the character traits of one or more other characters by presenting a contrast. In the play Othello‚ the author‚ William Shakespeare‚ presents Emilia‚ the antagonist Iago’s wife‚ as a literary foil to Desdemona‚ the protagonist Othello’s wife. In Act 4 Scene 3 of Othello‚ Emilia and Desdemona discuss the morality (or immorality) of infidelity. While Emilia says she would sleep with other men if she‚ in return‚ receives power‚ Desdemona
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Shakespeare’s play‚ ’Othello’ and in Mike Nichols film‚ ’Primary Colours‚ present the Art of Deception through the characters of Iago and Jack Stanton. The era in which both texts are presented gives off a different reason why both characters use deception to gain what they are looking for‚ thus context plays an important role in how deception is presented‚ and affects both the meaning and values of each text. Whilst both texts portray deception as the driving force in their plots‚ the motives‚ methods
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