In Shakespeares Othello the characters are as much a victim of their own weakness as they are of Iagos plotting. Do power dynamics in Othello support this? Iago‚ whos charisma and intellect make him more powerful than Othello and Desdemona‚ proves that powerplay amongst the characters supports the fact that characters‚ specifically Othello and Desdemona‚ are equally victims of their own weakness as they are of Iagos plottings. Othello and Desdemonas weaknesses are race and gender respectively which
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Shakespeare’s Othello and Oscar Wilde’s Lady Windermere’s Fan are two plays which males dominate and control. Gender discrimination was strongly evident throughout both the Jacobean and Victorian era in which both were written. Women were generally considered the ‘inferior’ gender with little purpose other than their domesticated role. Males were seen as more powerful with a harsh attitude towards females. Marilyn French examines that it’s a females “cultures dictum to be obedient to males‚” however
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Language in Othello Elizabethan and Jacobean dramatists used language to establish and build dramatic atmosphere‚ to define time‚ place and character. But in Othello‚ language is not simply the medium by which the drama is conveyed: in this play language is action. Othello ‘falls’ because he believes a man whose every utterance is deceptive. When the hero is taken in by false words‚ tragedy is the result. The play shows us the power of words; we watch as characters construct their own and others’
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Violence in Othello In William Shakespeare’s Othello violence can be found in several different ways. Violence can be expressed physically‚ mentally‚ and verbally. This tragic play shows how jealousy and envy can overpower a person’s mind and lead them to wreak havoc on others. Not only does this story give many different examples of violence‚ it displays how mental violence can promote physical violence‚ and continues on in that cycle. Mental promotes physical which ultimately leads back to
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Jealousy is described as feelings of resentment against someone because of that person ’s rivalry‚ success‚ or advantages. It plays a very large role in Shakespeare’s “Othello”. Jealousy is the fire that motivates Iago and clouds Othello’s judgment‚ leading to the downfall of both men. Iago is extremely jealous of Cassio because of his position in the army. “Iago‚ a Venetian soldier of so good reputation that he is known to everyone as “honest Iago”‚ feels bitterly and deeply that he has
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What is the play about? Othello themes include: * Jealousy (the sexual jealousy of Othello‚ and Iago’s professional envy of Cassio * Appearance versus reality (including honesty/dishonesty‚ loyalty/disloyalty) * Reputation * Public versus private concerns * Racism (including notions of alienation and belonging) Cultural materialist – Argues the play offers a subversive critique of the social and political beliefs of Shakespeare’s time e.g. racism and sexism seen as
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(Written in the style of a speech) William Shakespeare’s Othello is a play about reputation. The role of reputation is a major one as throughout the play we see the importance of how one is perceived. For some‚ to act in a certain way with self control ultimately leads them to strengthen their character and image. But for others it can be lost in a single action. The characters within the play struggle to keep their reputation for various reasons such as retribution or to keep a good name for
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The Tragedy of Othello‚ The Moor of Venice Act I 1. A noble Moor in the service of the Venetian state‚ a General. He is somewhat important to society. And he was slightly famous and well-known captain and general. To others that knew who Othello was didn’t really like him as a person but they liked him for the things that he had done for the country and the people. Also some of the people were jealous of Othello because of the fact that he was a moor and that Desdemona was in love with him
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William Shakespeare’s character‚ Othello‚ testifies to the fact that everyone‚ no matter their rank in society‚ can be made vulnerable when they are brought to questioning their sense of self. As a person matures and enters into adulthood‚ they take on many different types of responsibilities as a functioning part of society. Society characterizes its members based on how effectively they deal with their responsibilities‚ and furthermore an individual’s identity and sense of self derive in part
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Othello: The Other Race and religion seem to be very prevalent in Shakespeare’s Othello. From the beginning of the play the reader gets the impression that the protagonist‚ Othello the Moor‚ is considered an “other” in the Venetian society. Othello’s high military ranking gives him the respect of the characters in the play‚ but his race and religion are brought up a lot throughout the play in the speech of the characters in the play. Despite the characters in the text constant dehumanization of
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