interact with the world. Analysis of the text ‘Othello’ and its connectivity of characters discern themes such as betrayal‚ reputation and a patriarchal society‚ accompanied by unique contextual values. It is these abstract ideas which seek to explain the human condition and thus remain intriguing to a modern viewer. Betrayal dictates the course of the play and is most prominent in that of Iago and Othello. The twist begins through dramatic irony as Othello says “Iago is a man of honesty and trust”.
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In othello‚ this happens when Iago (a close and trusted friend of othello) tells othello that his wife has been unfaithful to him and has been cheating on him with a fellow soldier named Cassio who is a flamboyant florentine who was a lady’s man. Iago manipulates othello and says in Act 3‚ Scene 3;"O‚ beware‚ my lord‚ of jealousy!It is the green-eyed monster which doth mockThe meat it
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The understanding of critical approaches to literature helps a great deal while handling the novel. If we choose to take up D. H. Lawrence’s Sons and Lovers‚ psychological approach throws light upon certain issues which otherwise would remain unexplored. Along with this engagement with literature‚ film viewing and discussion sessions are also handled. Either we move to a film after finishing a particular section of literature or engage extra hours on Saturdays for watching films ( six/seven sessions
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eyes to see:/She has deceived her father‚ and may thee" (1.3.292-293). This early seed of doubt allows Iago to play on Othello’s jealous nature‚ and concoct a plan to take advantage of Othello. Iago slowly leaks his poison into Othello and soon has the result he desires‚ Othello is overcome with jealousy. Othello continuously denies his jealousy‚ but it is apparent that he is losing his mind with the thought of Desdemona’s unfaithfulness. He speaks to Iago saying "No Iago;/I’ll see before I doubt;
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racism provides the background for Othello’s first appearance. For Iago Othello is "an old black ram" (I.i.88)‚ "the devil" (I.i.91)‚ and a "Barbary horse" (I.i.lll); the consum-mation of his marriage is a making of "the beast with two backs" (I.i.115-16). Roderigo‚ who shares Iago’s disgust‚ speaks of Desde-mona’s "gross
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Envy In William Shakespeare’s Othello‚ desire manifests itself in Iago‚ compelling readers to see him as if he were a leech; Iago drains Othello of all his moral qualities until he is sucked dry. Similarly‚ Shylock in Shakespeare’s The Merchant of Venice indulges in seeing Antonio sucked dry of money. Both Iago and Shylock are compelled to see their enemies suffer through means that once deprived them‚ such as Iago being deprived of his rank and Shylock being deprived of money and respect. Although
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Act i. sc. i. ADMIRABLE is the preparation‚ so truly and peculiarly Shakspearian‚ in the introduction of Roderigo‚ as the dupe on whom Iago shall first exercise his art‚ and in so doing display his own character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty
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individual‚ but destroy that individual. In Othello‚ we see the protagonist fall guilty to jealousy‚ even though he has said that he doesn’t let his feelings get the better of him. Roderigo‚ because of love‚ gets jealous and ends up losing all his money. Iago‚ the villain in this play‚ falls prey to jealousy because of his pettiness from not getting a promotion and having certain suspicions that may or may not be true. In William Shakespeare’s “Othello”‚ Iago states‚ “Oh‚ beware‚ my lord‚ of jealousy
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Othello Essay Emilia and Desdemona are both confined within a patriarchal power structure‚ and although their responses to this dynamic are different‚ they both ultimately die because of it. Emilia and Desdemona reside within a patriarchal society. Emilia and Desdemona both react differently toward their husbands’ actions. Both Desdemona and Emilia die as a direct result of their husbands’ authority over them. Emilia and Desdemona live within a male-dominant society. Iago makes it apparent that
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Safran Foer‚ The Social Network directed by David Fincher‚ Othello a play by William Shakespeare and Little Miss Sunshine directed by both Jonathan Dayton and Valerie Faris. During the texts there is a lack of communication between characters. Various events cause an absence of communication and it results in strained relationships. Although each character has a different reason for being unable to talk they all suffer the consequences. Othello‚ a character who loves his wife Desdemona‚ suspects she
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