OTHELLO: JEALOUSY D. R. Godfrey [Godfrey examines the portrayal of jealousy in Othello‚ determining that it is the cause of evil in the play. The critic exposes the jealousy presented by several characters: Othello‚ Roderigo‚ Bianca‚ and Iago. He compares their irrational behavior to that of Leontes‚ the jealous husband of Hermoine in The Winter’s Tale‚ and asserts that each displays a form of sexual jealousy. Iago‚ however‚ exhibits "an all-encompassing jealousy directed not only against sexual
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institutional level of examination‚ functioning on mechanisms that exceed prejudice and discrimination on an individual level. There may be a temptation to draw a conclusion that the discrimination occurring against a particular group would be eradicated if “Negative associations‚ stereotypes‚ and prejudices toward that outgroup were eliminated‚ but even in ideal settings where individuals hold no stereotypes or prejudices toward a group‚ discrimination may still occur.” However‚ in reality that
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"If Othello didn’t begin as a play about race‚ history has made it one." The Venetian society that Othello is set in is representative of the writers context. The attitudes and values that Shakespeare reveals through the text are those same attitudes and values of Elizabethan society in England in the sixteenth-century. Although Othello is set in Venice and Cyprus‚ the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare’s own
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relationships‚ or even in an intense argument‚ respect for someone else’s well being is a quality that will always facilitate the best possible outcome. In the play‚ Iago falsifies his friendship with Othello‚ and everyone else around him for that matter. Iago demonstrates his sinister intentions as he deceives Othello by saying‚ “but such a handkerchief- / I am sure it was your wife’s- did I see today / See Cassio wipe his beard with”(3.3.496-498). Iago is blatantly lying as he describes what he has supposedly
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When pride comes‚ then comes disgrace‚ but with humility comes wisdom. To me‚ Othello was the living validation of this quote from the Holy Bible. Othello‚ a noble man to us all‚ an admirable leader to our army‚ a valuable friend to everyone‚ and a doting brother to myself. Citizens of Venice‚ fellow Venetian army‚ most humble duke‚ and gracious God above‚ it is with great sorrow that I‚ Michael Cassio‚ as his former officer and the leader of the Venetian army‚ stand here today to bid farewell to
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the downfall is inevitable. Othello by William Shakespeare conveys this message clearly through the use of irony. The brilliant leader‚ Othello‚ is brought to his breaking point when his trusted lieutenant manipulates him. Shakespeare’s purpose was to use dramatic plot twists to demonstrate how manipulation can distort someone’s judgment. Furthermore‚ manipulation and jealousy can push the most powerful people to their own breaking point. In act V‚ scene II of Othello‚ Shakespeare uses irony to show
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Despite the shift in time and place‚ the two texts Shakespeare’s Othello and Tim Blake Nelson’s film ‘O’ explores timeless ideas such as jealousy and illusion versus reality. These ideas transcend through time and still remain constant in modern society. To achieve universal themes represented in Othello‚ Tim Blake Nelson uses a variety of different techniques such as camera angles and Verdi’s Opera music to effectively achieve such themes and values in his film to suit his 21st century adolescent
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In Othello many themes come to play‚ however I find the most prevalent is jealousy. Jealousy is a funny thing‚ because it spreads like wildfire. The story of Othello is an example about how one person’s jealousy can take an entire social group down with it. Iago is the antagonist in this story‚ as he formulates a plot not only to take Cassio (the man who was promoted over Iago to be Othello’s second) down‚ and in the process many others go with him. He plants his jealousy in Rodrigo‚ and Othello. Convincing
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In the play Othello‚ our first impression suggests that Iago and Othello are portrayed as having somewhat opposite qualities. Iago is first shown to be false and pretentious. Even though he says "I will wear my heart upon my sleeve"‚ giving the impression that he shows all his emotions willingly‚ he is then shown to be quite secretive and deceitful‚ plotting against Othello‚ Casio and Rodriguo‚ emphasising his ambitious nature. Furthermore we get the impression that he is spiteful and racist‚ building
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Othello is a character of extremes. He has no middle range. Right a response to this statement supporting your answer with suitable reference to the text. I agree with the statement that Othello has no middle range and his emotions and actions are extreme. At the beginning of the play he is competently in love and passionate with his ‘Sweet Desdemona’. In the first two acts‚ Othello shows his exaggerated love for Desdemona‚ by putting his life at risk and eloping with her. Act I Scene III “I
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