3/14/12 Period 7 Topic 1 Othello is one of the many plays by William Shakespeare. It tells the story of the tragic love life of the valiant Moor‚ Othello. It shows how he changes; starting from greatness and respect‚ he is tricked by Iago in to being cruel and hating. Many people assume the basis of the story is Othello’s life and that because the play is called Othello that he is the protagonist. The actual protagonist though is the supposed antagonist‚ Iago. Iago with his cunning plot‚ mastery
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tragedy known as Othello‚ this theme causes great conflict leading to the story or play ending tragically with many deaths. Not only does isolation allow Iago to go through with his evil plan‚ but it also makes Othello question his wife and grow hatred for Cassio. Othello is heavily busy with military duties giving Iago a big opening to talk to people behind his back in order to start his plan‚ “ I hate the Moor. My cause is hearted; thine hath no less reason.” (1.3.408-410). Iago tells Roderigo
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of the rather enigmatic yet definitely Machiavellian‚ character of Iago. Shakespeare reveals him to be a cunning and conniving exploiter and manipulator of other characters who become caught in his web of lies‚ deceit and evil schemes. Iago is forever the cold‚ calculating pragmatist who is cynical about anything associated with goodness‚ such as love‚ virtue‚ reputation and honour. Iago constantly plays the role of ‘honest Iago’‚ which is shown by Shakespeare’s constant dramatically ironic use
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In Shakespeares Othello the characters are as much a victim of their own weakness as they are of Iagos plotting. Do power dynamics in Othello support this? Iago‚ whos charisma and intellect make him more powerful than Othello and Desdemona‚ proves that powerplay amongst the characters supports the fact that characters‚ specifically Othello and Desdemona‚ are equally victims of their own weakness as they are of Iagos plottings. Othello and Desdemonas weaknesses are race and gender respectively which
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A Silent Villain Passion can lead to a wide variety of outcomes‚ such as success‚ failure‚ destruction‚ ore determination. In William Shakespeare’s Othello‚ the villainous character‚ Iago‚ shows a dynamic change in how he acts to get what he wants. From the beginning of the play‚ towards the end‚ Iago grows more and more melicious in his acts to complete his goals. He goes from slightly deceiving‚ to ruining relationships‚ reputations‚ and careers‚ finally turning to murder to assure he gets what
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non-dramatic text offered on the module‚ (an extract from Samuel Taylor Coleridge’s Literary Remains‚) and show how it might help us understand Othello. The extract presents a sustained attack by Coleridge on Shakespeare for his lack of realism in the ’monstrous’ depiction of a marriage between a ’beautiful Venetian girl‚’ and a ’veritable negro‚’ in Othello. He sees Shakespeare’s transformation of a ’barbarous negro’ into a respected soldier and nobleman of stature as ’ignorant’‚ since at the time
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Othello is one of the most famous pieces of Shakespeare’s artworks. The play shows how one’s jealousy can destroy their own life. The characters in the play also show the flaws‚ ugliness and dirtiness behind people’s kindness‚ such as betrayal‚ doubt between people and more evil things. AC Bradley‚ a well-respected Shakespearian critic‚ suggest: “Othello’s mind for all its poetry is very simple. He is not observant. His nature tends outward. He is quite free from introspection‚ and is not given
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Othello Notes: Assessment Objectives: AO1: A consistently fluent‚ precise writing‚ using critical terminology to present a coherent and detailed argument in which the question is well understood and answered. AO2: Well developed‚ analytical and consistently detailed discussion of effects of language‚ form and structure and ways in which it affects the audience. AO3: Well informed and detailed discussion of different readings of the text by various audiences‚ as well as different critical
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Write Up On Othello: Othello as an Outsider Shakespeare’s Othello‚ written in approximately 1603‚ is a tragic play that centralises around the role of Othello‚ the Moor of Venice. Throughout the play‚ a notion that is consistently evident is that of “the outsider”. In Othello‚ many characters are in some way outsiders. Each character devises their own unique way to rid themselves of this “outsider” status‚ whether it be by marriage‚ gaining strength or through means of manipulation. As persistently
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Iago. Jealousy Iago’s jealousy is the catalyst of the play‚ as it is his jealousy that drives him to ruin Othello. It is evident in Act I scene I that Iago is jealous that Cassio got the position of lieutenant even though “That never set a squadron in the field‚ nor the division of a battle knows more than a spinster – unless the bookish theoric‚ wherein the tongued consuls can propose as masterly as he. Mere prattle without practice is all his soldiership.” (I.i. 21-27) Iago clearly thinks that
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