Othello Quotations A maiden never bold‚ of spirit so still and quiet that he motion blushed at herself. Brabantio She loved me for the dangers I had passed and I loved her that she did not pity them. Othello She deceived her father Brabantio And in th’essential vesture of creation Cassio The divine Desdemona Cassio She was never foolish that was fair Iago She first loved the Moor‚ but for bragging and telling her fantastical lies Iago She is full of the most blest condition Rodrigo
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understand that you have been closely studying Othello‚ both Shakespeare and Davies’ version. In your studies‚ you would have discovered many links between the two‚ through evident themes and values‚ displayed by many different characters. A theme I have discovered and would like to present to you today‚ is that of appearance verses reality and how it is altered due to the changing contexts of Shakespeare’s original Othello and Davies’ screenplay Othello. This is evident through the use of the
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Compare how Estella and Othello are presented as victims of circumstance Great Expectations is a novel written by Charles Dickens in London in the early 1860’s. The novel is set in the mid-nineteenth century in early Victorian England‚ a time when great social changes were sweeping the nation. Estella is one of Dickens’ most quoted female characters and is portrayed as cold‚ cynical‚ and manipulative. However‚ despite her cold behavior and the damaging influences in her life‚ Dickens nonetheless
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“Hatreds are the cinders of affection.” If you can find feelings of hate towards someone you love‚ it is because you truly love them. This is why Othello has so much hate towards Desdemona in act III. In act III‚ Iago plants the thought in Othello’s head that his wife‚ Desdemona‚ is having an affair with Cassio. Iago acts reluctant to answer Othello when he asks him if he feels Cassio is trustworthy‚ but it is all a performance put on to get in Othello’s head. Thoughts race through Othello’s
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| Enter OTHELLO‚ LODOVICO‚ DESDEMONA‚ EMILIA and attendants | OTHELLO‚ LODOVICO‚ DESDEMONA and EMILIA enter‚ with attendants. | | LODOVICOI do beseech you‚ sir‚ trouble yourself no further. | LODOVICOPlease‚ sir‚ don’t trouble yourself. | | OTHELLOOh‚ pardon me‚ ’twill do me good to walk. | OTHELLOI beg your pardon; walking will make me feel better. | | LODOVICOMadam‚ good night. I humbly thank your ladyship. | LODOVICOGood night‚ madam. Thank you. | | DESDEMONAYour honor is most welcome
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degrades and controls Emilia‚ Iago also commonly insults females in general. Othello also shares his misogynistic views as he constantly hits Desdemona in public and later accuses her of sleeping with Cassio Act 5 scene 2 line 20 ’So sweet was ne’er so fatal’ This shows Desdemona’s sweetness has brought her to where she is now‚ leading to her own death because she has slept with another man‚ can also be seen as Othello describing his kisses as fatal as they will be followed by murder but Desdemona
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Othello In the world there are many forms of temptation. One form is evil. In the play Othello by William Shakespeare a very strong character plays the role of evil. From the outside looking in‚ Iago may seem like the good guy with all good intentions but as the play goes on and his plan unravels the evil side appears. Married to Iago‚ Emilia is faced with many challenges with Iago’s evil side. Starting off innocent and quiet Emilia has to find the courage to take a stand in her own life to save
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Shakespeare’s play‚ ’Othello’ and in Mike Nichols film‚ ’Primary Colours‚ present the Art of Deception through the characters of Iago and Jack Stanton. The era in which both texts are presented gives off a different reason why both characters use deception to gain what they are looking for‚ thus context plays an important role in how deception is presented‚ and affects both the meaning and values of each text. Whilst both texts portray deception as the driving force in their plots‚ the motives‚ methods
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for Shakespeare‚ especially in Othello‚ women are viewed as worthless‚ gullible sex symbols. Three authors in their article state Revisiting Shakespeare and Gender‚ “For Shakespeare‚ as well as for most of Renaissance society‚ women as the feminine represented the following virtues which‚ importantly‚ have their meaning in relationship to the male; obedience‚ silence‚ sexual chastity‚ piety‚ humility‚ constancy‚ and patience” (Gerlach‚ Almasy‚
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The tragedy Othello is filled with a complex web of separate conflicts that are connected with each other. The external conflicts are very obvious‚ such as Iago trying to replace Cassio as lieutenant and Othello’s belief in Desdemona’s affair. In addition to these conflicts‚ however‚ many characters in the play also face their own internal conflicts in which they have to make a choice between two opposing forces. An excellent example of this internal conflict can be found in analyzing Roderigo. Roderigo’s
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