green field and a butterfly is chained next to it RACE and GENDER MANIPULATION: Iago manipulates Brabantio into believing Desdemona ran off with Othello in a negative way Iago manipulates Cassio in drinking and starting a fight Iago manipulates Othello into thinking Cassio and Desdemona are having an affair GENDER ROLE: Iago’s depiction of female- his treatment and rude comments about Emilia and Bianca Iago’s telling Roderigo women only wanted sex Focus on Emilia When the name William Shakespeare
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character: Othello. As one first begins to read this play‚ it seems that Othello is a truly noble character. Interestingly enough‚ with further reading and studying‚ one begins to doubt this nobility and speculate if his motives are guided by his love for others or his love for himself. Even though it is hard to see at first‚ the true nature of Othello’s character is actually quite self-centered. Throughout Othello there are several occurrences where it is shown that the character Othello is very
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saying “we”. As a matter of fact‚ the word “we” was never uttered when Macbeth was formulating his next murders. “We” would be insinuating that there was more than one party responsible for the killing of King Duncan as well as his other victims. It was Macbeth’s greed‚ relentlessness and cowardliness that led to his own downfall. Many readers could argue that the Witches were responsible for Macbeth’s downfall. After all‚ it was their twisted prophecies and apparitions that started the whole affair
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Oedipus All of Oedipus’ obstacles were an effect of his own actions. It all began when the Oracle at Delphi announced to Oedipus that he was destined to murder his father and marry his mother. He made the decision to escape the life he knew to stop this event from occuring. He was not aware that by doing so he was allowing the prophecy to happen and that he was entering his destiny of tragedy. When all is said and done‚ Oedipus was blind and found guilty for the death of the king of Thebes. Although
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tragedy will always have a big downfall. It is sometimes causes by the any setting of the historical background‚ family background‚ or any tragic flaws of the character. In The Tragedy of Hamlet‚ Prince of Denmark‚ the protagonist‚ Hamlet‚ although is a very smart‚ philosophical‚ enthusiastic‚ and manic person‚ but he is also indecisive‚ inflammatory‚ high key‚ and arrogant person. All these flaws contribute a hard life to him through out the play and they also lead him to his own destruction at the end
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In the play Othello Iago states his anger towards Moor Othello to Roderigo. His anger is justified by Othello having promoted a man named Michael Cassio to a rank above him and Iago gives the notion that his wife had an affair with Othello. For these reasons Iago manipulated the people around him to the point where each could not tell the truth from the lies. Iago was able to solidify his web of deceit from flaws in their character in order to create success. Iago has always held a
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him to his height of power‚ it is also what leads him to his downfall. Vaulting Ambition is one of Macbeth’s flaws; it disables him to achieve his utmost goals and forces him to face his fate. Without this ambition‚ though‚ Macbeth never would have been able to achieve his power as King of Scotland or have been able to carry out his evil deeds. In these instances‚ ambition helped Macbeth do what he wanted to do. But‚ consequently‚ Macbeth’s ambition has another face and is what leads him to his tragic
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Othello remains relevant to a modern audience through the human experiences of thematic issues such as jealousy‚ duty and honour‚ and racism. All three themes intertwine to convey the power and effect on different characters. Jealousy is used to highlight its immense self-destructive power‚ whilst duty and honour reflects the importance of one’s reputation. Racism is also present throughout the play‚ conveying the fears of being an outsider. Shakespeare successfully portrays these themes through
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The Jealousy of Othello and the Motives of Iago in William Shakespeare’s Othello The Orthodox interpretation of Shakespeare’s Othello is built on two assumptions; that Othello is not a jealous man and that Iago has no motives. Although there are many examples of these opinions within the play‚ I believe there is much more evidence which contradict these two statements‚ which allow me to conclude that Othello is in fact a jealous man and that Iago does have motives. As the play progresses the
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Towards the ends of Othello both Emilia and Desdemona are confirmed as tragic heroines. Throughout the play‚ Emilia is beaten down by Iago‚ as a result of the gender inequality of the time and her low status as a woman. In the last scene though‚ she finally breaks through this and finds her voice and stands up to patriarchal domination‚ which leads her to her death‚ confirming her to be a tragic heroine. Differently‚ Desdemona starts off as being independent; standing up against her father by marrying
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