Women’s Roles in Othello Shakespearean England was a thoroughly patriarchal society‚ with very few rights for women. This culture was borne of the perspective that women were of a lower worth in society than men‚ a view reflected in the treatment of the majority of women by the men in their lives. William Shakespeare wrote many plays about social issues across Europe‚ and his play Othello was especially focused on the mistreatment of women in England. Though Desdemona and Emilia‚ the two main female
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As time progresses‚ in the play Othello‚ the main character begins to feel the affects of being different and he starts to conform to outsiders terrible views of him. Othello’s attitude towards himself started with him being confident in himself and the thought that being a general would be enough to judge his character. Othello’s changing diction is an indication of Othello’s poorly developing attitude towards himself. As the accusations against Othello begin‚ he remained calm and composed. His
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Downfall of Othello Humans feel the need to interact with one another‚ to fulfil this need humans build relationships. These relationships can either bring great joy or can become the very cause of human frailty. In the play ‘Othello’ by William Shakespeare we witness the downfall of the main character Othello and the underlying factors which lead to his downfall. One of the main factors is the relationships he had with others. The relationship between Othello and Iago is built on friendship
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Iago has a reputation for honesty‚ for reliability and direct speaking. Othello and others in the play constantly refer to him as "honest Iago." He has risen through the ranks in the army by merit and achievement‚ and Othello‚ whose military judgment is excellent‚ has taken him as ancient (captain) because of his qualities. In Iago‚ Shakespeare shows us a character who acts against his reputation. Possibly Iago was always a villain and confidence trickster who set up a false reputation for honesty
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The function of imagery in the mid-sixteenth century play Othello by William Shakespeare is to aid characterisation and define meaning in the play. The antagonist Iago is defined through many different images‚ Some being the use of poison and soporifics‚ sleeping agents‚ to show his true evil and sadistic nature. Othello’s character is also shaped by much imagery such as the animalistic‚ black and white‚ and horse images which indicates his lustful‚ sexual nature. Characterisation of women is heavily
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In William Shakespeare’s Othello‚ the use of imagery and metaphors is significant in conveying meaning as it helps to establish the dramatic atmosphere of the play and reinforce the main themes. Through this‚ the audience is able to grasp a better understanding of the play. <br> <br>Throughout Othello‚ images relating to poison frequently occur. These references are predominantly made by Iago. This seems appropriate for Iago who exhibits the characteristics of poison; they being fatal and deadly
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What Makes Shakespeare‚ Shakespeare There is little question that Shakespeare is the greatest‚ and most innovative writer to ever pick up a pen. His innovation with modern language and his invention of new words has changed the world in countless ways. However‚ that was not the only way that he advanced society. For example‚ Lady Macbeth‚ one of Shakespeare’s most groundbreaking characters‚ was one of the first female characters in literature to have personal power. As a result she was a driving
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underlying significance means a great deal to the owners. They stand for the family time spent with their family or the memory of a family member. In the tragedy Othello by Shakespeare the handkerchief originates from when Othello’s mother who gave it to him before dying. Consequently‚ she told him to give it to his future wife. Later Othello gifts it to Desdemona as their first gift.
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Othello OneNote notes: Act 1 Scene 1: The action of the first scene heightens the audience’s anticipations of Othello’s appearance - He is identified in terms of his rare/an outsider (’The Moor"‚ ’the thick-lip’‚ ’A Barbary horse’ exogamous marriage. Because of this we know what Iago is like‚ we feel sympathy of Othello especially with him as an outsider and Iago is pretending to be his friend. Very moment he should be at his happiest‚ they’re plotting to destroy it. Duplicity of Iago. Two extremes;
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Shakespeare introduces Othello in the first half of the play as “valiant” and “noble” (qtd)‚ where the adjectives of courage and moral principles deter the Elizabethan notion that black people are treacherous and villainous (qtd). To add to that‚ the Duke of Venice “straight employ[s] [Othello] against the general enemy Ottoman” (1.3.49-50). Here The preposition “against” directs Othello’s martial body as the hero in Venetian society rather than the enemy for now. The respect for Othello as
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