The function of imagery in the mid-sixteenth century play Othello by William Shakespeare is to aid characterisation and define meaning in the play. The antagonist Iago is defined through many different images‚ Some being the use of poison and soporifics‚ sleeping agents‚ to show his true evil and sadistic nature. Othello’s character is also shaped by much imagery such as the animalistic‚ black and white‚ and horse images which indicates his lustful‚ sexual nature. Characterisation of women is heavily
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Racism in Othello Racism seems to be a big concern in Shakespeare’s tragic play‚ Othello. Because the hero of the play is an outsider‚ a Moor‚ we have an idea how blacks were regarded in England‚ in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy‚ where Othello is coming from is not mentioned‚ yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African
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Shakespeare’s great Othello to the concepts of race and racism. It is amongst the earliest works from Western Literature dealing with a prominent black protagonist. Othello faces the onslaught of constant racism from other characters‚ especially when he marries Desdemona. Desdemona is described to be a privileged white woman whose father disapproves of their relations. This relates back to present day because even in the early 20th century depictions of the play were censored and Othello had to be played
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The tragic play ‘Othello’‚ written by William Shakespeare‚ is one where the direct impact of themes such as jealousy‚ prejudice‚ and manipulation bring about the downfall of the protagonist Othello‚ a moor who is both a successful military leader in the city of Venice and the lover of the ‘Sweet Desdemona’. The Antagonist‚ Iago‚ weaves webs of deceit and denigrations on almost all of the characters and is portrayed as the puppet master‚ controlling the characters to his own end. The imagery associated
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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Passion Pleasure Pain: A study of passion and reason in Othello According to Aristotle – a Classical biologist and philosopher – he believed that Catharsis draws out pity and fear in all tragedies. Many of the readers drew themselves to feel clarification‚ purification‚ and purgation‚ which were caused‚ by passion and reason. His theory plays out in most tragedies especially in Othello. Shakespeare captured many different themes in this play – one of them being passion and reason. The balance
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Project On “The Merchant Of Venice” Contents SR. NO. PARTICULARS 1 Writer 2 Summary 3 Character Analysis 4 Themes 5 Relevance To Modern World 6 Critical Evaluation Writer William Shakespeare born on 26 April 1564 (baptised) – 23 April 1616)] was an English poet and playwright‚ widely regarded as the greatest writer in the English language and the world’s pre-eminent dramatist. He is often called England’s national
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the partnership and possibly end it. Shakespeare’s protagonist‚ Othello‚ becomes deceived and unable to decide in whom to place his trust. The noble Moor chooses wrongfully and places himself under the loyalty of Iago‚ allowing him to corrupt and transform him‚ destroying his sanity and relationships with others. Consequently‚ the Moor’s trustworthiness and envy become his weaknesses and result in his downfall. In the play "Othello"‚ by William Shakespeare‚ the protagonist’s flaws contribute to
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Act i. sc. i. ADMIRABLE is the preparation‚ so truly and peculiarly Shakspearian‚ in the introduction of Roderigo‚ as the dupe on whom Iago shall first exercise his art‚ and in so doing display his own character. Roderigo‚ without any fixed principle‚ but not without the moral notions and sympathies with honour‚ which his rank and connections had hung upon him‚ is already well fitted and predisposed for the purpose; for very want of character and strength of passion‚ like wind loudest in an empty
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Shakespeare’s play Othello exhibits many modern Freudian psychology theories‚ specifically through the character of Iago. Iago is a character who shows typical characteristics of a psychopath. Iago’s behaviour and intentions can be explained through modern Freudian psychology‚ and emphasised through the critical writings of Samuel Taylor Coleridge and Fred West‚ who‚ respectively‚ argued Iago’s “motiveless malignity” and Shakespeare’s “profound and accurate portrayal of a psychopath in Iago”. Through
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