OTHELLO An Assignment for Study on Shakespeare Subject Submitted for the Requirement of Final Exam compiled by: AHMAD SAAD I. 120610083 faculty of HUMANITIES English department Airlangga university 2010 INTRODUCTION Othello (2005) is directed by Oliver parker‚ and starring by Laurence Fishburne‚ Irène Jacob‚ Michael Maloney‚ Nathaniel Parker‚ Kenneth Branagh. Oliver Parker made his directorial debut with this
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character: Othello. As one first begins to read this play‚ it seems that Othello is a truly noble character. Interestingly enough‚ with further reading and studying‚ one begins to doubt this nobility and speculate if his motives are guided by his love for others or his love for himself. Even though it is hard to see at first‚ the true nature of Othello’s character is actually quite self-centered. Throughout Othello there are several occurrences where it is shown that the character Othello is very
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William Shakespeare wrote many of his famous plays during his ‘great tragic period’‚ he wrote them with an aim to not only entertain his audience but to educate them through a social and political reflection using literary and staging techniques. Othello was in approximately 1603‚ to do exactly this. Shakespeare was known for pushing the boundaries and this play was no exception with the plays central character being an African man in a position of authority. As Aristotle explains‚ an audience’s pleasure
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Jealousy; The Green-Eyed Monster Rationale: Having just finished Act 3 of Othello (by William Shakespeare) ‚ a motif stood out to me. The motif jealousy‚ and it can corrupt anyone‚ even a noble Moor with principles like Othello. While reading I realized how complicated Iago is as a character and how he lacks an origin to his jealousy‚ yet is convincing himself to carry out his evil doings his ability to orchestrate a complicated interweaving of pre-planned scenarios. Iago ’s deception is
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Theme Analysis The Transformative Power of Breaking Conventions and Habits Throughout Homecoming‚ characters either struggle against societal roles‚ or they break conventions and roles‚ resulting in relief‚ understanding‚ personal advantage‚ or growth. Dicey lives outside of conventional gender roles: she is a fighter so ferocious that none of her peers dare to fight her. At the very opening of the book‚ she plays into a policeman ’s assumption that she is a boy‚ taking advantage of her unconventional
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the play Othello‚ Iago uses certain steps to help him in his plan to manipulate Othello to go against his wife Desdemona and his co-worker‚ Cassio. These steps help him greatly in his plan to deploy Othello against Cassio and Desdemona. Iago plays upon Othello ’s own fears and reinforces those fears with lies and hints to help him with his plan. First‚ Iago lies to Othello and makes him believe that Desdemona is cheating on Othello with Cassio. The next step Iago takes to manipulate Othello is when
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Books related to Othello Othello - The protagonist and tragic hero of the play. A Moor commanding the armies of Venice‚ he is a celebrated general and heroic figure whose "free and open nature" will enable Iago to twist his love for his wife Desdemona into a powerful jealousy. Desdemona - The daughter of a Venetian Senator‚ and Othello’s bride. The most sympathetic character in the play‚ she is deeply in love with her husband‚ and her purity contrasts strongly with Iago’s wickedness. Iago - Othello’s
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Dynamics 8 of the 12 essential questions ChangeMain Character Resolve Othello changes from a noble and just groom who declares‚ “But that I love the gentle Desdemona‚” (I‚ii‚27) to a foul-minded‚ irrational husband who vows‚ “I’ll tear her to pieces.” (III‚iii‚483) He changes from treating her gently to striking her in public‚ calling her a whore‚ and murdering her in an unfounded jealous rage. StartMain Character Growth Othello must start to realize that he can’t run his marriage using the same
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The Jealousy of Othello and the Motives of Iago in William Shakespeare’s Othello The Orthodox interpretation of Shakespeare’s Othello is built on two assumptions; that Othello is not a jealous man and that Iago has no motives. Although there are many examples of these opinions within the play‚ I believe there is much more evidence which contradict these two statements‚ which allow me to conclude that Othello is in fact a jealous man and that Iago does have motives. As the play progresses the
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William Shakespeare’s play‚ “Othello”‚ the protagonist walks himself through a field of emotion-testing physiological mines laid by the antagonist Iago‚ in which causes a major change in Othello’s‚ the protagonist‚ sense of security throughout the story. Being a Moor‚ Othello finds his greatest difficulty in blending in with the Venetian society and way of life. He combats this with his military rank‚ and due respect from the Duke of Venice. With this appreciation‚ Othello feels secure. With the rank
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