Desdemona holds the handkerchief in utterly different regards than Othello. Seemingly she holds it dearly as it was the first token of love given to her by Othello. Nevertheless‚ in the scene when she offers it to him for his headache she drops it and does not notice its disappearance for a while. It is not until act three scene four “where should I lose the handkerchief‚ Emilia?” that she becomes away aware of her negligence with it (3.4.21). Historically this token of love was a common gesture
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MAJOR ENGLISH WRITERS ANALYSIS OF WILLIAM SHAKESPEARE’S PLAY OTHELLO FAJRI KURNIAWAN 1010733020 ENGLISH DEPARTMENT FACULTY OF HUMANITY ANDALAS UNIVERSITY PADANG 2013 Background of the author William Shakespeare is the most famous writer of plays in the English language. He was born in 1564‚ in Stratford upon-Avon and died on the 23rd of April‚ 1616. He wrote thirty-nine plays and hundreds of poems. His father William was a successful local businessman and his mother Mary
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himself? Is Iago evil? Essentially‚ Iago could be described as the central trouble-making‚ ill-willed character of the play; he leads a lot of the characters into a state of confusion‚ convincing them to think poorly and wrong of other figures in ’Othello’ that are in fact innocent of their accused crimes. But does this make him an "evil" individual? Let us begin by defining the word "evil". An evil person may be considered as somebody who condones bad or morally wrong activities that cause ruin‚
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Othello is a play about the desperate need for certainty The theme of certainty pervades the play from the opening scence‚ and as it progresses‚ the quest for certainty becomes more desperate and frantic; not only within the minds and actions of the characters‚ but also within the audience as we become desperate to know and understand the outcome of Iago’s malicous plan. Shakespeare introduces the protaginist‚ Othello‚ to the audience through the malicious and predujiced tongues of Iago‚ Roderigo
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’In Shakespeare’s Othello‚ Othello is as much of a victim of his own weakness as of Iago’s plotting Do you agree?’ Through the critical analysis of Shakespeare’s play Othello‚ we are able to see this statement as agreeable and true. Othello‚ like all humans succumbs to being vulnerable and is easily taken advantage of. The study of his pride‚ superstitions‚ confidence‚ as well as the contextual society he dwells in accounts to his weaknesses. We are able to argue that Iago’s plotting only fuels
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Shakespeare’s play Othello displays the theme of racism towards the tragic hero Othello. According to Dictionary.com‚ racism is defined as‚ “a belief or doctrine that inherent differences among the various human racial groups determine cultural or individual achievement‚ usually involving the idea that one’s own race is superior and has the right to dominate others or that a particular racial group is inferior to the others.” In Othello‚ racism seems to overpower what a great leader and husband Othello is. This
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William Shakespeare’s masterpiece Othello‚ where many characters have a contrast created between what they believe and what is true‚ creating a false appearance. In this tragedy‚ the contrast between appearance and reality plays a pivotal role in the plot‚
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Appearance vs. reality Iago: The theme of appearance vs. reality is apparent in the character of Iago as he is often described as being honest and having a trusting nature when in reality he is unfaithful and manipulative. Iago’s unfaithful character is established from the very first scene in Othello as he explains using a loyal tone‚ “I follow him to serve my turn upon him.” Iago’s two-faced character is further highlighted in the scene where he is having a conversation with Brabantio using
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Act I Quote Analysis “O‚ sir‚ content you; I follow him to serve my turn upon him … I am not what I am.” Iago‚ Act I‚ Pg 24-25 During Iago and Roderigo’s discourse‚ Iago says‚ “ O‚ sir‚ content you; I follow him to serve my turn upon him…I am not what I am”. Iago declares himself to be fallacious. He reveals his future betrayal to his “friend”‚ Othello. Iago is very wise with his plot‚ he is not who Othello thinks he is. Iago’s ability to be a clever two faced will
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Throughout Othello‚ imagery of war is used to build character. While talking to Othello’s father-in-law Brabantio‚ Iago has this to say about the General‚ “Though I do hate him as I do hell’s pains / Yet for necessity of present life‚ / I must show out a flag and sign of love‚ / Which is indeed but sign.” (I.i.152-155). He’ll “show out a flag”—like waving a peace sign—as a sign of his loyalty‚ despite actually intending to harm Othello. This illustrates early on in the play Iago’s two-faced personality
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