Melissa Wong P. 4 - ENG 10H Othello section Reaction to the scene (1 per scene) - 15 points total Quote analysis (2 per act) - 30 points total Act 1‚ Scene 1 I was startled by how by Iago’s manipulative nature revealed itself in the first few lines of the play. Shakespeare uses this somewhat backwards introduction to illustrate Iago’s character and the significant role he will play in the attempt to ruin Othello’s seemingly perfect life. It was shocking to discover Iago’s duplicitous intentions
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Hamlet The Tragic Hero The playwright William Shakespeare reveals a tragic hero in his greatest tragedy "Hamlet". This hero is the young prince Hamlet. He fulfills all of Aristotle’s requirements for a tragic hero. Three key events in the play demonstrate these requirements: First‚ when Hamlet does not murder Claudius at his first opportunity after being asked by his father’s ghost‚ Secondly‚ his confrontation with Ophelia regarding her returning his gifts‚ and lastly his reaction to Claudius’s
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Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition‚ Creon is the tragic hero of Antigone. Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between‚ as humans are. The audience
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Over time there have been many men and women who have received the title “hero.” They likely have been named by their bravery‚ strength‚ and willingness to give up their own comfort‚ if not their own life‚ to benefit the wellbeing of others. Every hero differs in many ways. Each one of them has his own story of heroism. The tragic hero survives in our literature. The first characteristic of a tragic hero is that they must suffer more than deserved. This stands true for Achilles‚ Hector‚ Beowulf
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Antigone: Not the Tragic Hero Sophocles‚ a great tragedian‚ was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank‚ a tragic flaw‚ a downfall‚ and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon‚ who is her uncle and the king. When Antigone buries
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Brutus & Julius Caesar The tragic hero archetype has been played with for as long as literature has been created‚ but no one had quite a spin on it like William Shakespeare. Shakespeare’s tragic heroes were specifically designed to elicit pity and fear from the audience and to really feel their downfall. In Julius Caesar‚ the protagonist Brutus is a well-made example. But the character of which the play is named after is often not considered as one. Although the character of Julius Caesar does not
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tale in which the hero was trying to accomplish a certain task‚ such as returning home or rescuing a lover from Hades. In every case‚ these heroic tales would always end with tragedy; the hero would be killed by a jealous lover‚ go mad‚ or have a loved one taken away from him. However‚ one Greek hero existed whose story did not end with tragedy: Odysseus. Homer’s The Odyssey is unique among all other Greek myths in that it is the only story in which the hero does not meet a tragic end; why is this
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Aristotle uses six different points to define a tragic hero. The tragic hero must be of noble stature and have greatness. Though the tragic hero is pre-eminently great‚ he/she is not perfect. The hero’s downfall is partially his/her own fault‚ the result of free choice‚ not of accidental means. The hero’s misfortune is not wholly deserved and the punishment exceeds the crime. The fall is not pure loss. And though it arouses solemn emotion‚ tragedy does not leave the audience in a state
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To be a tragic hero‚ the heroes must be inherently good people who have good intentions. In addition to their changes in fortune‚ tragic heroes must‚ in the end‚ recognize their own responsibility for their behavior and accept their fate with dignity. In Sophocles‚ Antigone there are two types of tragic heroes a traditional tragic hero and a sophoclean tragic hero. Traditional Greek tragic heroes have four main qualities: Arete‚ a type of excellence‚ Hubris‚ an excessive degree of pride‚ Ate‚ imprudence
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Tragic Hero In many‚ a tragedy do the tragic heroes have flaws that lead themselves to their own demise. The main character always acts exactly on his or her own emotions; thus aiding their tragic flaw and leading to their own demise without giving them the time to stop the repercussions of their emotion driven actions. In the play “Antigone” by Sophocles many of the characters are simply too headstrong and passionate about their beliefs to realize that they would greatly regret the decisions
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