Passion Pleasure Pain: A study of passion and reason in Othello According to Aristotle – a Classical biologist and philosopher – he believed that Catharsis draws out pity and fear in all tragedies. Many of the readers drew themselves to feel clarification‚ purification‚ and purgation‚ which were caused‚ by passion and reason. His theory plays out in most tragedies especially in Othello. Shakespeare captured many different themes in this play – one of them being passion and reason. The balance
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Aristotle’s Virtue theory is based on Teleology and the Golden Mean. He says that to be virtuous that we need to act with excellence. He believed that everything on this earth has its own virtue‚ meaning that if it performs the way it’s supposed to by its nature then it is virtuous. He asserted that every event had four causes or four factors that work on it and to bring it into being; 1) Material Cause- the “stuff the thing is made of. 2) Efficient Cause- the force that has brought it into being
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William Shakespeare’s play “Othello” a man named Iago hates and is jealous of the protagonist Othello because Othello has not promoted him to position of Lietunant‚ so he decides to try and kill Othello. However‚ he first convinces Roderigo to help him because Roderigo is in love with Othello’s wife Desdemona and Iago promises that he can get him together with Desdemona. With Roderigo’s help‚ Iago is able to plot a series of events which eventually leads to convincing Othello that Desdemona is having
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In the play‚ “Othello”‚ Shakespeare writes not only about the love between men and women‚ but exposes the character traits and flaws that are particularly vulnerable to the smooth talking of the archetypal devil or villain‚ Iago. Throughout the play we see and hear how the manipulation of character traits that we all possess can play out in all sorts of relationships. With each character‚ Shakespeare explores the possible outcomes for any person if he or she were to ‘feed’ that part of themselves
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Envy In William Shakespeare’s Othello‚ desire manifests itself in Iago‚ compelling readers to see him as if he were a leech; Iago drains Othello of all his moral qualities until he is sucked dry. Similarly‚ Shylock in Shakespeare’s The Merchant of Venice indulges in seeing Antonio sucked dry of money. Both Iago and Shylock are compelled to see their enemies suffer through means that once deprived them‚ such as Iago being deprived of his rank and Shylock being deprived of money and respect. Although
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racism provides the background for Othello’s first appearance. For Iago Othello is "an old black ram" (I.i.88)‚ "the devil" (I.i.91)‚ and a "Barbary horse" (I.i.lll); the consum-mation of his marriage is a making of "the beast with two backs" (I.i.115-16). Roderigo‚ who shares Iago’s disgust‚ speaks of Desde-mona’s "gross
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language to interpret and understand the complexities of our own social system‚ it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello‚ Moor of Venice‚ discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the marginalisation and empowerment of primary female characters. The Elizabethan era marked an interesting
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non-dramatic text offered on the module‚ (an extract from Samuel Taylor Coleridge’s Literary Remains‚) and show how it might help us understand Othello. The extract presents a sustained attack by Coleridge on Shakespeare for his lack of realism in the ’monstrous’ depiction of a marriage between a ’beautiful Venetian girl‚’ and a ’veritable negro‚’ in Othello. He sees Shakespeare’s transformation of a ’barbarous negro’ into a respected soldier and nobleman of stature as ’ignorant’‚ since at the time
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Othello Essay Shakespeare’s "Othello" exhibits the demise of man via jealousy and rumor. The work showcases perhaps the gravest villain in literary times‚ Iago‚ whose evil cunning and masterful manipulation steamrolls the demise of honorable reputations; the destruction of intimate relationships‚ both brotherly and romantic; and finally‚ breaks down the sanity and conviction of stable men due to excessive need to protect ego and preserve personal pride. Iago’s control of people’s attitudes ultimately
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