Leonardo Da Vinci painted “The Lady With An Ermine” in 1490. “The Lady With An Ermine” is a portrait of Cecilia Gallerani. Cecilia Gallerani was the favourite and most celebrated mistresses of Ludovico Sforza‚ known as Ludovico Il Moro‚ Duke of Milan. She was the subject of Leonardo’s painting “The Lady With An Ermine”. While posing for this painting Cecilia invited Leonardo‚ who was working for Sforza as court artist‚ to meetings at which Milanese intellectuals discussed philosophy and other subjects
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perfect raw score in the IB program; hence it becomes the goal that most IB students strive for or hope to achieve. The second tribute is inspired Duffy‚ who is popular for her creative dramatic monologues. Moreover my dramatic monologue‚ A Poor Painted Queen is a response to her dramatic monologue‚ My Last Duchess‚ where the old duchess gives warning to future duchess candidates of her experiences with the green-eyed Duke. The last tribute is dedicated to cummings‚ who is famous for his neologisms
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This beautiful piece of art was inspired by Yosemite National Park. The nature and wildlife is a beautiful picture to be painted. You cannot see his brush strokes or lines in this painting but you can see how he integrated the colors so well to bring this picture to life to make it look almost real. It too looks like a photograph taken when it is really a painting. 1877-
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Gustave Caillebottes work‚ Paris Street; Rainy Day‚ is an oil on canvas painting measuring seven feet‚ ten inches by six feet‚ one inches. As mentioned previously‚ the art work is painted with oil on a large canvas. From a distance the brushstrokes are hardly visible in the painting. There appears to be little‚ if any‚ impasto evident. Upon closer inspection‚ the texture of the brushstrokes can be described as grainy and the lines dividing objects are not as crisp. The painting is fairly large.
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Title Author(s) "Of human bondage": Somerset Maugham in China Zhang‚ Yanping; 张燕萍 Citation Issue Date URL Rights 2011 http://hdl.handle.net/10722/133977 The author retains all proprietary rights‚ (such as patent rights) and the right to use in future works. “Of Human Bondage:” Somerset Maugham in China by Zhang Yanping （张燕萍） B.A. Fudan. February 2011 A thesis submitted for the Degree of Master of Philosophy at The University of Hong Kong Abstract of thesis entitled “‘Of Human Bondage:’
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Canvas Museum of Modern Art This simple painting of a small‚ intimate landscape is a good example of Paul Cezanne’s mastery of the impressionist style. The scene is of a rocky path‚ possibly a hiking trail on the side of a mountain‚ and a few trees that veil the sky in patches of leaves. Cezanne’s method of painting is rather interesting‚ in that he paints each stroke like a plate of color‚ creating an overlapping mosaic. The palette he chose is also remarkable with bright‚ almost cartoonish shades of
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A. Plan of the investigation. In Persia of 1848‚ Táhirih took off her veil in the presence of an assemblage of religious leaders of her time in contradiction to the customs and authorities of the land. The aim of this investigation is to examine the significance of this event within the context of the position of women in Persian society at the time and its effect in acting as a catalyst for the process of the emancipation of women. The investigation will be carried out through examining both primary
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which he believed to be Michelangelo. Julius II assumed that if he had the ceiling painted that it would glorify his name and he would become more popular with the people under him. Pope Julius II wanted to make sure that every job he did for the Vatican City was more impressive than Pope Alexander VI‚ which was Julius’s rival. The ceiling to this day is 131 feet long by 43 feet wide which means that Michelangelo painted roughly 5‚000 square feet of the ceiling. There were questions such as why was
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Selma Hougeir Art History- Reflection paper #1 Learning about African arts was very interesting to me. I was born in North Africa and have seen a lot of North African arts‚ but never really knew much about the sub- Saharan African arts. The most interesting part of African history for me was the history of the Nigerian arts. I could not believe that the earliest known sculptures in Africa were from the 5th century. The remarkable Terra cotta pottery heads were made from fired clay. They came
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saturated with images‚ it may be difficult to imagine a time when only the wealthiest people had their likeness captured. The weathy merchents of Renaissance Florence could commission a portrait‚ but even they would likely only have a single portrait painted during their lifetime. A portrait was about more than likeness‚ it spoke to status and position. In addition‚ portraits generally took a long time to paint‚ and the subject would commonly have to sit for hours or
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