Located at Duke Hall on main side of campus‚ is a painting called “Lifetime Piled Up” by Elizabeth Cunningham. When first noting Elizabeth work‚ I couldn’t help but stare at the color scheme of the drawing. When first glancing at her work‚ I had this feeling of darkness that surrounded the drawing. As I move up from the bottom to the top of the drawing one would feel a since of light. After analyzing the artwork by it’s color scheme‚ I came to a conclusion (opinionated of course) that the theme was
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realistic brushwork. The background is a simple black which helps the bird pop more inside the masterpiece. The brushstrokes on the bird’s feathers are a softer and more blended while the bird’s head is exact and harder brushstrokes. The canvas of the painting is really long with a short width. It was painted using acrylic selling for 250$. The artist did a good job at filling the canvas using the bird. The piece is organized in which the bird fills the whole page. The bird shape is proportion to the canvas
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two Male Deities Totem was created by Steve Lotz in 1970 during the Contemporary Art Period. It was painted with wax pencil and spray paint on paper‚ it has the dimensions of 90½ x 46¼ inches. This painting represents the connection between two unknown individuals in the middle of ocean in an ornament that shows a totem form. Also‚ it can interpret as a connection between the subconscious and the mind. In this piece‚ the color and space are the most noticeable principal elements of art. The colors
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Analysis of Ansel Adams In this paper we have to analysis one of Ansel Adams photographs in order to identify the visual argument that Ansel Adams is trying to portray through his photograph. We are trying to pull out key details in the photograph to truly understand what Adams wants us to really know about this historical event and why this photograph was shot the way it was. The photograph that I choose to take a deeper look at was "Line Crew at Work in Manzanar". I choose this photograph because
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In the painting by Martin Johnson Heade we see three beautifully painted hummingbirds in the South American rainforest. This piece of art is Heade’s most unique piece from a series of more than fifty other paintings due to the fact it is the largest one out of the series and it contains three birds while the others do not. This a beautiful piece of art. As I wondered throughout the museum nothing caught my eye like this painting did. The beautiful oil paint on the canvas had such lush
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In the painting Las Meninas it displays Infanta Margarita‚ daughter of King Philip IV and Queen Mariana‚ as the center of the painting. You can see the King and Queens reflection in the mirror as if you are in there point of view. Surrounding the princess there are two maids on both sides of her‚ a dwarf‚ a dog‚ a little girl‚ two women off to the side behind the maid on the right‚ and a man in the background that looks like he is about to leave the room or is passing by. Velazquez is also in the
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Haymakers Resting is an oil painting by Camille Pissarro created in 1891. It was painted on a Canvas 25 3/4 x 32in large. The painting‚ as most of Pissarro’s works‚ is an impressionist piece with a rural theme. The technique used to create the painting is called pointillism‚ a common tool of impressionist. The painting depicts three farm women lying in loose hay. The women are plainly dressed‚ obviously workers who are either taking a breaking or coming to a stop for the day. The women wear plain
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French or Italian style which consisted of oil on canvas. The physical condition of the painting looks good for how old it is and it looks clean. The painting represents a scene of a Roman guard interrogating St. Peter and a servant girl. St. Peter denies the fact that he is a follower of Jesus to the Roman soldier as the woman looks on. When I first saw the painting my eyes focused on the left side of the painting: then the followed the rest of it while noticing a dark and suspenseful scene that focused
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Jessica Tang Formal Analysis Richard W. Hill Melanie Wilmink FA/ARTH 1900 Tutorial 12 “HILLTOPS” BY FRANKLIN CARMICHAEL FORMAL ANALYSIS Franklin Carmichael’s “Hilltops” is a 25.4 x 30.4 cm oil on panel painted in 1943 located in the Art Gallery of Ontario. The painting is a depiction of a landscape consisting of rolling hills in the foreground and middle ground and sky with an overcast of clouds. Carmichael used flat areas of colour‚ bold horizontal lines‚ and simplification of objects that
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of the stylistic elements the still lifes that brought him fam‚ but here they are used to deftly tell the narrative of a college student‚ midway through day‚ sleeves rolled up and attention on the viewer. Because Thiebaud himself is a teacher the painting takes on an autobiographical tone‚ the viewer is not looking at just any student‚ but a student from the perspective of the teacher. By breaking the conventions that create a realistic work such as linear perspective‚ Thiebaud creates a surreal
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