Applied Semiotics Fridas’ paintings analysis September 20th 2007 Identify two paintings of your interest then specify: (The whole assignment is in essay type format). 1. Author: Frida Kahlo. 2. Title of the painting: "La columna rota" and "Las dos Fridas" 3. Date: 1944 and 1939 4. Format: Rectangle and square. My first impressions of these two paintings were kind of painful because sadness and pain are shown in both of them. But at the same time they show the strength that Frida
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de France by Stuart Davis When I first saw the painting‚ Hôtel de France‚ painted by Stuart Davis‚ I thought that was just an ordinary painting of a building and a street that is pretty‚ especially in a way that looks old-fashioned. I had to come to realize that the painting was painted from what the painter sees from the scene. The painting is a picture of a four-story building of the hotel named‚ Hôtel de France. On the left side of the painting are the sides of other buildings. In front of the
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Tom Wesselmann’s acrylic painting on linen Smoker #9 was created in 1973‚ a time when sex appeal could sell just about anything. His billboard style painting is simplistic yet very dramatic. The picture concentrates on a limited number of object: a woman’s mouth‚ a cigarette‚ a woman’s hand and smoke. Isolated on the wall‚ these elements are deprived of a background allowing the shape of the canvas provides an empathetic boundary between the world of the picture and the world around it. Tom uses
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What was the effect of photography on painting in the nineteenth century? The photograph was developed in 1839 simultaneously in England and France by Talbot and Daguerre. That is the technique of chemically fixing of an image produced by exposure to rays of sun. William Fox Talbot was an English scholar and scientist who developed the negative and positive process. He used sensitive paper soaked in sodium hyposulphite called calotype. This became the basis for all subsequent photography. Photography
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Funpon for learning 7 3‚1 The learning curriculum in the Kobikichō Kano workshop 7 3‚2 Shitsu-ga and Gaku-ga 8 4‚ Funpon for painting production 13 4‚1 The succession of motifs and styles 14 4‚2 The succession of motifs and styles on the commission of large scale 16 4‚2‚1 The nature of funpon
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Both sets of caves have several paintings that are very similar‚ as well as many that are vastly different. The styles of art in both are fairly similar‚ although more colors are used in Lascaux‚ as well as a wider variety of angles (Lascaux has a horse in frontal view). The red ochre is consistent throughout both caves. The hand prints‚ both positives and negatives‚ seem entirely absent from Lascaux‚ while there are many more “symbolic” signs‚ such as the XIII‚ leading me to believe that they may
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This painting is called Madame Grand (Noël Catherine Vorlée‚ 1761–1835) and it is oil on canvas. The artists name is Élisabeth Louise Vigée Le Brun (French‚ Paris 1755–1842 Paris). It is a representational painting of a lady is sitting on what looks like a chair and is looking off and up to her right. She has a giant blue ribbon on the top of her hair that matches the bow on the front of her dress. She looks as if she is thinking of something that will make her happy or as if she was looking out
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The Harbor of La Rochelle is a 50.5 x 71.8 cm oil on canvas painted by Jean Baptiste Camille Corot in 1851. In this painting‚ the artist depicted a picturesque scene of the everyday life in a placid harbor city in a sunny warm day. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting. His work simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. The
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across there were multiple reasons as to why I believed I disliked the piece or was indifferent to it. Up until I came across this oil painting is when I decided that this will be the piece to write about. I have chosen the work of Barnett Newman‚ entitled; “Vir Heroicus Sublimis” also known as‚ “Man Heroic and Sublime”. This is a large oil on canvas painting that stands 7ft. 11in.wide and 17ft 9in. Long. The reason I have chosen this specific piece is because of its simplicity. As I’ve come
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ECONOMIC ACTIVITY AS REFLECTED IN PAINTING: THE CONTRASTING VIEWS OF ECONOMISTS AND ART HISTORIANS [1] Manuel Santos-Redondo Universidad Complutense de Madrid [las diferencias con respecto al Documento de Trabajo disponible en la Web estan subrayadas] 1. Introduction The Moneychanger and his Wife is probably the picture most widely used to illustrate economic activity‚ and so it is (supposedly) well known by economists‚ managers‚ and accountants. The accounting book which appears
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