Cultural Scene Ethnography My observation takes place in an Emergency Room in a local hospital. The waiting room is a thirty-by-forty room with white walls and a dusty rose counter‚ the television sets blared from each end of the room. A drunken man wearing a woolen cap kept breaking into song and new people walked in every few minutes. Behind the counter there are three secretary calling people names. In the waiting area the people whisper and fidget constantly. Female patients often cross
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however‚ when he comes back with great news Kreon asks to talk to Oedipus alone. Oedipus says he can speak in front of all the people‚ as a result Kreon tells Oedipus that the King Laios had been killed on his way to the city of Delphis Oracle. In scene one‚ the blind prophet Teiresias arrives to the city of Thebes as a command from Oedipus to find of cure to stop the plague. When Teiresias arrives‚ he says all but a cure for Thebes. He refuses to speak about the plague therefore; King Oedipus gets
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The third aerial-scene of the neighborhood marks the final stage of the film. We have witnessed Lester being filmed constantly inferior in the scenes in the first portion of the movie and have witnessed him challenging that connotation in the second‚ where he is usually engaged in eye-level shots or rising above others‚ even if only for a moment. The third part of the movie‚ which encompasses one day‚ the last day of Lester’s life‚ shows the results of his work from the second section of the film
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Question: As their conversation in Scene III breaks down‚ Haimon makes clear his opinion of Creon. What does Haimon think of his father and why does he think this? Haimon believes that his father is wrong in having Antigone killed‚ and he believes that his father is being unwise in that he will not consult with anyone else on the matter. He thinks these things because he believes that no crime was done in trying to bury someone‚ and because Creon will not talk to anyone else about the situation
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Nondiegetic music of the Doors in the scene waiting in Saigon Sound plays a significant part in all movies and one of the most interesting of all the sound techniques would be the use of nondiegetic music. In the movie Apocalypse Now‚ there is a double disc soundtrack with thirty tracks on it. The one song on there that has the most meaning would The Doors song "The End". This song not only set the mood for the scene waiting in Saigon and the move as a whole but is also used to foreshadow the
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Bertolt Brecht en sy Epiese Teater Die mens se sienning oor die lewe word beïnvloed deur die tydperk waarin hy grootword asook sy omgewing. Wêreld oorloë samevatting: Bertolt Brecht. Die Duitse dramaturg‚ regisseur en digter wat erken word as een van die mees belangrikste en invloedryke figure van drama in die 20ste eeu. Brecht se unieke behandeling van sosiale temas en revolutionêre eksperimente met teater elemente het n geweldige groot invloed op moderne drama‚ toneelspel en teaterontwikkelings
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1800 5/28/13 Lesson 2 The Graduate For The Graduate I chose the sequence from where Ben’s father announces him coming out to the pool until the end of the scene where he is at the bottom of the pool. (Chapter 5 [all of it]: 20:53–24:25). In The Graduate the cinematic styles were portrayed in this sequence of the film. Mis-en-scene was represented right away from the scenery or background of the sequence. The background was of Ben’s pool with many family friends around. The pool was used for
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My Life in Pink/Ma Vie en rose (Alain Berliner‚ 1997) To what extent does the opening sequence of the film prepare the audience for what is to follow in terms of genre‚ subject matter‚ mood‚ characters and plot development? Although French by language‚ ‘Ma Vie En Rose’ is directed by Belgian director‚ Alain Berliner‚ and therefore shares the concerns and troubles lurking in the subconscious mind of the Belgian people‚ mainly‚ the confusion over their national identity‚ as the country is divided
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close-up shots‚ colors and spacing. The first scene of the movie opens with a close up view through a window‚ showing Mac and another man fighting in the hotel room. Punches and things breaking stay throughout the scene‚ and a sense of panic was felt by the viewers. However‚ despite the violence‚ the view point of the camera starts to focus on the shadows of the two men. With an unknowing sense of who would win the camera starts to have an open frame. The scene ends with a tracking camera following the
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I turn left as quickly as i can‚ Finding myself down the nearest alleyway As the morning fog rolled across the docks‚ it’s tendrils curling around the lamp posts and mooring lines‚ a car‚ slick and black‚ its headlights piecing the darkness of the morning‚ slowly pulled into position alongside a line of shadowy trucks. Three men all dresses in long coats stepped from the car‚ they all had the same look about them‚ tall and strong‚ the driver moved to open the door for a fourth a shorter‚ stockier
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