MEATLESS DAYS: A FEMINISTIC PERSPECTIVE By Hadia Khan NATIONAL UNIVERSITY OF MODERN LANGUAGES ISLAMABAD November 2012 Meatless Days by Sara Suleri is a brilliant writing as it engages the reader in all the aspects of society. This novel shows the position of female in the society‚ the political aspects such as the status of Pakistani female and their position in this set up. She very artistically intermingles the culture of two lands and shows the diversity in the modern values and the
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with her work and uncertain about her own future. She even grows estranged from her traditional-minded boyfriend‚ Buddy Willard‚ a medical student later diagnosed with TB. Upon returning to her hometown New England suburb‚ Esther discovers that she was not selected to take a Harvard summer school fiction course‚ and subsequently starts to slip into depression. Esther finds herself unable to concentrate and perform daily tasks. Therefore she decides to undergo a few sessions with Dr. Gordon‚ a psychiatrist
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its perpetrators‚ and its causes; and‚ relatedly‚ an interest in its prevention‚ and in the deterrence‚ treatment‚ and punishment of offenders‚ (The Oxford Handbook of Criminology‚ 2012). Feminist criminology specifically suggests addressing crimes committed by women. According to Burgess-Proctor (2006) Feminist criminology or the development of female crimes as a mature theoretical orientation gradually became an accepted theory during the 1970s as a pioneering generation of women insisted that
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Woman Trapped: A Feminist Analysis of the Yellow Wallpaper The short story‚ the Yellow Wallpaper by Charlotte Perkins Gilman can be analyzed in depth by both the psycho-analytic theory and the feminist theory. On one hand the reader witnesses the mind of a woman who travels the road from sanity to insanity to suicide “caused” by the wallpaper she grows to despise in her bedroom. On the other hand‚ the reader gets a vivid picture of a woman’s place in 1911 and how she was treated when dealing
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The Wizard of Oz was a powerful movie made in the thirties. It did not just tell a simple story of a girl who gets lost‚ but also brought many different ideas about current events of that time to the surface. The Wizard of Oz was released on August 25‚ 1939‚ a time where women did not play a big role in society. It tells a story of a young girl who magically appears in the Land of Oz after a powerful twister comes through Kansas‚ her home state. In Oz‚ Dorothy goes on a journey to find the great
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because of male bias. The two perspectives are often pleasant-sounding‚ but a need for care point of view precedence exists. While truth is evident in both these statements‚ the problem of distinguishing between them becomes apparent soon after. Many feminist look to psychologist Carol Gilligan’s research for evidence to confirm the difference between characteristically male and female approaches to moral decision making. Her research illustrated how men almost unfailingly focus on justice when making
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seen as a merchandise to enhance their own social status. Their situation has not been improved until the mid 19th century‚ where a several brave‚ outspoken women sparked the fight for social reform‚ justice‚ prostitution‚ and slavery. The force of Feminist then rose to fight for the equality for the oppressed.
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aims to demonstrate how both the fairytales “Bluebeard” and “Hansel and Gretel” can be analyzed through a feminist approach‚ and how these text continuously challenge gender stereotypes and construe a new narrative of femininity. The story
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the past‚ courtship had patriarchy present. Before‚ the males were always the one chasing the females. The men had to be the one to impress or chase after the girl. However‚ whenever a female tried to be different and be the one to court a man‚ it was considered a bad thing and society would deem her pathetic and desperate‚ and several other kinds of negative thoughts. Now‚ on the other hand‚ several changes in the society about the importance of women and new ideas about gender equality have made
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Feminist Symbolism in Susan Glaspell’s "Trifles" Have you ever wondered; just how much can one person take from another? What amount of cruelty and abuse persuades the fury in a typically passive person to leap into aggressive action? Susan Glaspell’s play Trifles shows us just how far one woman‚ Mrs. Wright‚ is pushed before she snaps. This is a classic tale of spousal abuse‚ based off of a true story‚ which was not too uncommon and almost expected back in the late nineteenth century. Back
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