Art and Aesthetics at Work Edited by Adrian Carr and Philip Hancock Art and Aesthetics at Work This page intentionally left blank Art and Aesthetics at Work Edited by Adrian Carr University of Western Sydney and Philip Hancock University of Warwick Editorial matter‚ selection and Chapters 1‚ 5 and 9 © Adrian Carr and Philip Hancock 2003 Other chapters (in order) © Adrian Carr; George Cairns and Tamar Jeffers; Mary-Ellen Boyle; Catrina Alferoff and David Knights; Nick
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DADA “Before Dada art was in form‚ after Dada art is an attitude” Dada was a radical art movement started in 1914 and ended in the mid 1920’s mainly in the North Atlantic. It was created as a form of protest against World War 1 by immigrants who wanted to express a new kind of mentality in the world of art and politics at the time. Dada was the reaction and rejection of traditional society and the atrocities of World War 1 by artist of that era. It reflected their desire to oppose convention
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chapter 5 Space Fig. 90 Donald Sultan‚ Lemons‚ May 16‚ 1984‚ 1984. Latex‚ tar on vinyl tile over wood‚ 97 in. 971/2 in. Virginia Museum of Fine Arts‚ Richmond. Gift of the Sydney and Frances Lewis Foundation. Photo: Katherine Wetzel. © 1996 Virginia Museum of Fine Arts. W ISBN 0-558-55180-7 e live in a physical world whose properties are familiar‚ and‚ together with line‚ space is one of the most familiar. It is all around us‚ all the time. We talk about “outer” space (the space
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Art Gallery Response Paper Tarn Adams is an american born on the 17th of April in 1978. Adams is a computer game programer‚ and he is well known for his artwork the Dwarf Fortress. Throughout his childhood‚ Adams loved programming and has been designing computer games as one of his hobbies. Adams and his older brother Zach started a company called Bay 12 Games. With his skill in programming and his brother’s experience in ancient history and storytelling‚ they were able to design and pull off various
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Thought Paper #1 “ The aim of art is to represent not the outward appearance of things‚ but the inward significance”(Aristotle). One of the main purposes of art is to help express our emotions‚ which was portrayed throughout the music‚ paintings‚ and literature of Western European culture. One man who was able to show our emotions through art‚ was Leonardo da Vinci. Leonardo was ultimately known as the “Renaissance man”. Not only was he a scientist‚ but also a painter‚ and a sculptor. To practice
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art‚ philosophy of‚ the study of the nature of art‚ including such concepts as interpretation‚ representation and expression‚ and form. It is closely related to aesthetics‚ the philosophical study of beauty and taste. ------------------------------------------------- Distinguishing characteristics The philosophy of art is distinguished from art criticism‚ which is concerned with the analysis and evaluation of particular works of art. Critical activity may be primarily historical‚ as when a lecture
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14th century in the city of Florence‚ Italy‚ is a clear example of the latter mentioned; the following question arises: What is the Renaissance? Jam-packed with overbearing innovative elements and personalities the Renaissance or re-birth in English is probably the most artistic‚ therefore resourceful
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org/journal/aasoci) DOI:10.4236/aasoci.2012.21007 Is Street Art a Crime? An Attempt at Examining Street Art Using Criminology Zeynep Alpaslan Department of Sociology‚ Hacettepe University‚ Ankara‚ Turkey Email: z_alpaslan@hacettepe.edu.tr Received February 1st‚ 2012; revised February 29th‚ 2012; accepted March 13th‚ 2012 A clear and basic definition is the fundamental element in understanding‚ thus explaining any social scientific concept. Street art is a social phenomenon‚ characterized by its illegal
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Jessica McFarlane Irene Sfakianos Art History II 3/7/13 Western Europe Museum Paper While walking through the Philadelphia Museum of Art‚ trying to decide which piece I should do further research on and write a paper on‚ I discovered The Crucifixion‚ with the Mourning Virgin and Saint John the Evangelist”. This is oil on panel painting by Rogeier van der Weyden in the Netherlands (historical name‚15th-16th century)‚ Europe in 1460. The time period that this was made in was Early Italian
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