Publication Details: JK journal of management technology‚ 2010 Summary: Not only in metros but also in small cities the media of entertainment is witnessing a paradigm shift. Undoubtedly‚ the Bollywood is at the apex of entertainment and Indian cinema has a charismatic presence. The young generation‚ prefer to spend their weekends with full fervour‚ fun and family in order to invigorate and overcome work stress. Big shopping malls housing multiplexes have become the hottest destination for this
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In a nation that produces around 800 films a year Indian people see films a a very important part of their culture. For Indian people "cinema is integral to their lives; it is not a distant‚ two to three hour distraction‚ but an explicit life-style for them."(Jaya Ramanathan). The large screen provides an alternative‚ an escape from the realities of day-to-day life. The protagonists are totally identified with‚ the hero is applauded‚ the virtuous is worshipped and the villain is condemned. The actors
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there exist parallel universes‚ exactly like our universe. (2)These universes are all related to ours; indeed‚ they branch off from ours‚ and our universe is branched off of others. Within these parallel universes‚ our wars have had different outcomes than the ones we know. Species that are extinct in our universe have evolved and adapted in others. In other universes‚ we humans may have become extinct. (3)For many years‚ science fiction writers have linked the notion of a parallel universe to hyperspace
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The necessity of water and time The dominance of power in society can be illustrated by using a pyramid. People with the possession of real power‚ we find at the very top and narrowest part. At the bottom‚ and widest part‚ we find everything and everyone else. Like the people of Dimock‚ in the documentary Gasland‚ they put their trust and faith into the hands of the controlling minority part‚ thinking that they would act in their best interest. However‚ in many cases just like theirs‚ megalomaniacal
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This essay will explore the ‘problem of masculinity’ and the way Classical Hollywood cinema invests and deals with the image of the male body‚ drawing from the analysis of examples from Top Hat (1935) and The Best Years of Our Lives (1946). Steve Neale argues that ‘it is very rare to find analyses that seek to specify in detail‚ in relation to particular films or groups of films‚ how heterosexual masculinity is inscribed and the mechanisms‚ pressures‚ and contradictions that inscription may involve’
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Cinema as a Language Silence film had reached its artistic peak by 1928. It seemed like cinema had developed into an art most perfectly with silence. The realism that sound would bring could only be seen as chaos. However‚ the sound proved that it didn’t come to destroy; on the contrary‚ it had a responsibility and it came to fulfill its mission to the cinema. The point is whether the technical revolution formed by sound track actually the aesthetic revolution. Considering editing‚ we cannot
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Malayalam cinema Malayalam cinema is the Indian film industry based in kerala‚ India‚ dedicated to the production of motion pictures in the Malayalamlanguage. At first (beginning in the 1920s)‚ the Malayalam film industry was based in Trivandrum. Although the film industry started to develop and flourish only by the late-1940s. Later‚ the industry shifted to Chennai (formerly Madras)‚ which then was the capital of the South Indian film industry. By the end of 1980s‚ the Malayalam film industry
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Biyaya ng Lupa The movie showed how Filipino Families lived in the past. The main charaters‚ Jose and Maria‚ got married and started a life together‚ having four children. They were extremely conservative in how they ran their family; with the couple talking about how they shouldn’t fight too much because it would cause the downfall of their marriage. I like the movie because it shows how old Filipino films were at that time. It also showed how beautiful Rosa Rosal (playing Maria) was when she
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Topics in Covered Chapter 6 : Rrfor Series-Parallel 6-1 Finding Resistances Strings Parallel 6-2:Resistance in 6-3:Resistance Banks Series in Banks Strings Series-Parallel 6-4:Resistance and in @2ffi7 The McGrc*Hilt Cwanies Inc. All iskts rcm r.i.:T;11{‚9’.’:;f;.ri;-.:l’::‚t:1+ylid;:l’’fftli. ‚:a::TF.r:.!qt:’ii-.! eil. i:‚:r’.i’tl Tcpfc-s Covered In Chapf‚er 6 a: ::r; i ri:l: li’ ii i:ll ‚i t{ i t ’ ’ ’ j . t. . ’
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When one contemplates the concepts of cinema and attractions‚ the ideas of the modern day blockbuster film might come to mind. World disasters‚ car chases‚ and high profile police investigations are just some of the story lines that attract people to theatres year round. The term "cinema of attraction" introduced by Tom Gunning into the study of film is defined more precisely. To quote Gunning‚ a cinema of attraction: "directly solicits spectator attention‚ inciting visual curiosity‚ and supplying
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