“misty” and “marshy”. The use of this diction allows the reader to understand what it would feel like to be in London during a great fog. On the other hand‚ Charles Dickens passage’s in Bleak House was to describe the setting of London fog. He uses parallelism throughout the passage starting each sentence off with “Fog”. This organization helps with the purpose of the passage by emphasizing that the fog is‚ literally‚ everywhere. Goodwin’s style represented in this passage is described as expository
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figured out they were burning people. He wrote “Never shall I forget those flames that consumed my faith forever.” (Wiesel 34); this use of hyperbole draws attention to the traumatic experience he went through. He continues with repetitions and parallelism of “Never
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Joseph Conrad writes several works from 1900 to 1907. One of his most impactful works is The Heart of Darkness‚ written in 1902. This short story describes the main character Marlow‚ a seaman‚ recounting a story of imperialism suffered by Africa in detail. Conrad’s writing style is uncommon‚ using particularly dark diction and imagery along with unique syntax. Conrad’s diction is described by many as being melancholy. At the beginning of the story‚ Marlow and his shipmates are stuck on a flooded
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he illustrates the unproductiveness actions made by the Environmentalist and the “critics of the environmental movement” by emphasizing their similar strategies on bashing one another’s view on the environment. Wilson writes both passages with parallelism to emphasis his point on how similar both arguments made by each side are and because they are similar they have no effect towards one another’s extreme claims. Through his satirical works Wilson makes the assertion that both groups are pointless
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bountiful than trees‚ but the trees‚ as the Indians‚ have been there much longer and are rooted to the land (P1). This simile emphasize the purpose of Seattle to show the Americans how they “will never be alone” ever again (P7). Seattle uses a parallelism to show the eventual fate of his tribe to show his stance on the American proposal but through an extended metaphor shows the hope through the light of the stars in the dark Indian night since his people will never “forget the beautiful world” which
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appeals to our emotions using the technique of parallelism. At the beginning of the speech he uses parallel structure as he gives specific examples of what the country needs to accomplish: “Now is the time… reality for all of God’s children.” This list of four clauses that all begin with the words‚ “Now
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UNITY OF THOUGHT •A sentence has unity if it expresses only one main idea. SENTENCE UNITY HOW TO ACHIEVESENT ENCE UNITY? Consistent Use of Tenses • A verb in an adverbial clause generally agrees with the tense of the verb in the main clause. • Avoid unnecessary shifting from first person to third person or vice versa Consistent use of Number • Shifting persons of pronouns will destroy unity. The pronouns must agree with their antecedents Consistent Use of Persons of pronouns • Do
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Abstract Thomas Stern Eliot (1888-1965) is one of the important poets and the most influential critics of English literature. He attempts to re-educate his readers through the use of languages and various other techniques. Many differences in interpretation exist for Eliot’s complex poetry. In this discussion I shall be examining Eliot ’s use of a range of linguistic devices. The discussion will focus on how T. S. Eliot employs the medium of language to parallel and reflect his observation of the
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Clinical Tip #10 A patient is seated in your dental chair‚ and during the examination prior to choosing a size of sensor; you see a shallow palate‚ and narrow maxilla and mandibular areas. You decide to use a #1 sensor. When taking bitewings with a #1 sensor‚ you cannot get under a deep crown with bitewings. However‚ the patient’s mouth will not accommodate a #2 film. It is best to take an extra periapical film of the tooth with the deep crown‚ so the dentist can give a diagnostic examination
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Introduction: Belinda is the most famous character in Pope’s poetry. She is a bundle of contradictions. On one hand‚ she is the object of satire; on the other hand‚ she is the goddess of beauty and charm. In fact‚ Pope invokes her blessings as if she were the goddess of poetry. At another place‚ she is the representative of the decadent aristocratic society. Through her character‚ Pope describes the flippancy and depravity of the English society of the eighteenth century. Essentially here
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