Define what commercial dance is. Support your answer with examples and justify why these are classified as commercial dance. In this essay I will discuss what defines Commercial Dance referring to different styles that are often seen and how these can be caught under such a massive umbrella term. I will also be discussing the impact that integration has had on Commercial Dance. Commercial Dance can be defined as any style of dance that can create revenue‚ involving any style or technique out
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Pakistani Folk Dances: Dances are traditionally part of the lives of people especially in Pakistan. Dance for Pakistanis is so important that people can communicate with each other and tell a story without uttering a word but rather dancing to send those messages. Folk dances are still popular in Pakistan and vary according to region such as: • Bhangra -Punjab • Luddi - Punjab • Dhammal - Performed at Sufi shrines/ dargahs in Punjab and Sindh • Attan - Folk dance of Pashtuns tribes of
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Dance Class Reflection Over the course of the semester‚ I have learned about different types of dances including hip hop‚ dance hall‚ and contemporary‚ Bhangra‚ street jazz‚ Latin‚ zumba and more. In the beginning‚ I believed that I danced well and dance was easy to do but once I figured out how much effort‚ practice‚ coordination‚ and preparation for a dance‚ I thought differently. Dance is all about expressing your emotions by using your body‚ having fun‚ gaining strength in my muscles and developing
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Misty Copeland Changes the Dance World Race. Previously‚ the American Ballet Theatre used this as a deciding factor for casting roles instead of the ability of the dancer. No job in the world should have race be the reason wages decipher‚ whether or not people have a higher position‚ or even getting hired in the first place. Thanks to Misty Copeland‚ there is no need to worry about these problems in the dance world. Copeland has become a paramount mentor for growing dancers by becoming the first
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growing up in the country allowed the outside to serve as my "secret dance bubble". As a child‚ I grew up in a household where dance was all I knew therefore I was expecting to be unquestionably great. Walking into my first dance class seemed as if was my home away from home and some days it appeared hazy as if it was my imagination. Its slow structured yet fragmentary‚ perfectly designed to bring me to center‚ where I can dance freely without the barre‚ each motion a broken-down version of what everyday
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For my topic‚ I chose Edgar Degas’ painting‚ “The Dance Class‚” or often referred to as‚ “The Ballet Class‚” to discuss how his interpretation of ballet aspects are de-romanticized despite its era of late romanticism. This topic is of interest to me because I have an appreciation for ballet as an art form. For almost all of my life‚ I have noticed that media and society have hyper-exaggerated the obsession with sexually objectifying ballerinas. This‚ in turn‚ has undermined the true beauty of ballet
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Petite Mort and Six Dances to stage in a new and powerful way. Choreographer‚ Kyle Abraham married the life of men and women during the 17th century to the modern life of the 21st century. As opposed to the original piece‚ Abraham’s female dancers were more independent in the sense of needing their male companions to portray their life. Tonight’s showcased dancers were: Vinson Fraley; current student at Tisch School of the Arts‚ Tamisha Guy; recently selected as one of Dance Magazine’s Top 25 to
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2014 Clear Lake Dance Recital I could hear the bustle of people out in the crowd as I was getting ready for the dance recital. As I started to get ready for the first dance‚ someone came in and told us we were going to be starting in a few minutes. We all went and lined up at the foot of the stage because we were one of the first people to go on. “Your next‚” I heard from the people helping back stage. Right then I had to run through all of the steps to the dance in my head to make sure that I had
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needed. Also‚ topics of dance as an art form and dancer’s salaries were discussed. Throughout the interview‚ I saw some aspects of my own interpretations that were interesting to discover and bring into light. Some of the central points described in the interview pertained to public funding of dance and how dance is expressed through this funding. In Canada‚ funding from grants is awarded from peer
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Traditional Korean Dance Heoak Lee “Imperial Jewel” Traditional Korean Dance Group Traditional Korean Dance originated in ancient shamanistic rituals thousands of years ago benefited from regular support of: – – – royal court numerous academies an official ministry of the government Traditional Korean Dance in the Occupied Korea (1910-1945) Due to cultural suppression by Japan during the Japanese occupation of the Korean peninsula (1910-1945)‚ most dance academies died
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