Experience Through Language “Distinctive Voices” Analysis Table – Pygmalion (NOTES TO USE IN ESSAYS / EXTENDED RESPONSES) |Technique |Evidence (include Act/page number) |EFFECT in relation to “Distinctive Voices” | | | |Consider how “voice” and Shaw’s use of language:
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The basic assumption is that there is a set of objectively measurable voice parameters that reflect the affective state a person is currently experiencing (or expressing for strategic purposes in social interaction). This assumption appears reasonable given that most affective states involve physiological reactions (e.g.‚ changes in the autonomic and somatic nervous systems)‚ which in turn modify different aspects of the voice production process. For example‚ the sympathetic arousal associated with
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lungs. All of a sudden I couldn’t breathe‚ my chest hurt and I panicked. Ladies and gentlemen‚ by the end of this year more people will die from second hand smoke related deaths than the average crowd at a Major League Baseball game. Secondhand‚ or passive smoke‚ is an insidious killer that is harming adults‚ and more critically‚ children around the country every day. My goal in speaking to you today is to enlist your support in a federal ban of all smoking from all public places without hesitation
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first song was that every single person was singing with pure emotion‚ naturally swaying with the beat of the song throughout. I could completely tell that they felt the rhythm of the song because they kept the tempo at a steady pace‚ but filled their voices with energy. The next song was The Only One being sung by a man named Anson Dawkins‚ who was the soloist. This song wasn’t considered as classical choral material‚ but Anson did an excellent job at keeping the same tone quality through the different
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lives of the smoker. By restricting some of the public areas not to smoke‚ lots of people will benefit from that. Why should smoking be banned in public areas? There are two reasons for that. Firstly‚ it damages the health of the smoker and the passive smoker. The second reason is smoking may be a disturbance to the people around it. I believe that smoking should be banned in public areas such as restaurants and airport terminals. It damages the health of the smokers and people around them. How
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/secondhand_smoke/health_effects/ Secondhand smoke causes nearly 34‚000 premature deaths from heart disease each year in the ... Secondhand smoke can trigger an asthma attack in a child. [PDF] Passive smoking - Cancer Council Australia www.cancer.org.au/.../PS-Passive_smoking_%20September_2008.pdf Passive smoking is a cause of premature death and disease in children and in ... People avoid tobacco smoke‚ to eliminate the risk of health problems caused by .... Second-hand smoke exposure can cause
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Ensembles Class 1 - Female Voice Choirs Entry Fee: £30.00 For performers aged 19 and over. The Glasgow Orpheus Choir Trophy may be awarded (see page 48). Test Pieces: Own choice (see regulations 14-20) of any two contrasting items. Class 2 - Male Voice Choirs Entry Fee: £30.00 For performers aged 19 and over. The Glasgow Orpheus Choir Trophy may be awarded (see page 48). Test Pieces: Own choice (see regulations 14-20) of any two contrasting items. Class 3 - Mixed Voice Choirs Entry Fee: £30.00 For
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result of the debt restructuring. *a. True b. False 1281. CHAPTER 11—INVESTOR LOSSES Question TF #6 Kelly‚ who earns a yearly salary of $120‚000‚ sold an activity with a suspended passive loss of $44‚000. The activity was sold at a loss and Kelly has no other passive activities. The
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The Day the Voices Stopped By Ken Steele The voices arrived without warning on an October night in 1962‚ when I was fourteen years old. Kill yourself....Set yourself afire. I stirred‚ thinking I was having a nightmare‚ but I wasn’t asleep; and the voices–low and insistent‚ taunting and ridiculing–continued to speak to me from the radio. Hang yourself. The world will be better off. You’re no good‚ no good at all. Terrified‚ I turned off the radio‚ got out of bed‚ and crept down the hallway
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about the voice remind us that the history of altered voices in films differs profoundly from the history of altered bodies. If you examine cases in recent films‚ you notice that the most striking and memorable examples are not those in which someone invented a brand new vocal texture or timbre‚ but in which a strong correlation has been created between the voice and the body‚ the voice and face. This is the relationship through which the terrifying effect is achieved‚ and not in the voice taken in
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