Social Media. Peggy Orenstein speaks about how Twitter and other social media networks have affected her and the society in general. Sociologist Erving Goffman argued that all of life is performance‚ and Orenstein made an addition stating that "Twitter has extended that metaphor" (645‚ P5). The main points that Orenstein brings up are: Does social media make me who I am‚ or just what I want to present myself as? Is social media separating us from reality? The first point Orenstein brings up she
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preceding it in film and print. As Peggy Orenstein points out in her book Cinderella Ate my Daughter‚ children are being taught from a very young age what is being expected from them in regards to their gender. There are many examples in animated movies that reinforce the gender stereotypes that America has come
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limitations. Gender rigidity is primarily produced in a child’s first years through advertising in toys or clothing‚ and forms limitations for gender roles later in life‚ such as jobs or behavioral mannerisms. In an excerpt from Peggy Orenstein’s Cinderella Ate My Daughter‚ Orenstein sheds light on a major product from the multi-billion dollar company of Walt Disney that is cashing in on gender roles: the Disney Princesses and their doll merchandise. “There are more than twenty-six thousand Disney Princess
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"What’s Wrong With Cinderella?" In the article “What’s Wrong With Cinderella” written by Peggy Orenstein a feminist mother and writer for the New York Times amongst other newspapers. Several issues and concerns are raised regarding the physical and mental impact that the younger generation might have from the excessiveness of the princess theme toys‚ clothing and animation. The writer belief that young girls are being influence to think that beauty is determined by their physical appearance. Many
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The articles “Just a Little Princess” by Peggy Orenstein and “Return of the Brainless Hussies” by Rebecca Traister are about as “bra-burning” as they get. Both women are feminist and aren’t afraid to show it. While Orenstein discusses the “princess” fad that is consuming the younger girls of America and why the fad an abomination‚ Traister explains the phenomena of stupidity that has swept America’s Pop Icons such as Paris Hilton‚ Lindsay Lohan‚ and Jessica Simpson. “Brainless Hussies” is more convincing
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As Peggy Orenstein’s three year-old daughter entered the “princess phase‚” Orenstein became increasingly frustrated. As a feminist‚ she worried about the negative effects the princess obsession would have on her daughter and other young girls in their futures. In “Cinderella and Princess Culture‚” Orenstein sets out to discuss these effects. She discovers that although it seems as if this princess craze is creating negative gender stereotypes at an early age‚ maybe princess enthusiasts are really
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to read about the topic. * A rating system – stars‚ mark out of ten etc. * Awareness of audience. Select a ‘publication’ that suits the text being reviewed. * Figurative language. * Varied sentence length. When I first picked up Peggy Orenstein’s expository text Cinderella Ate My Daughter I immediately thought of how much my daughter would love the front cover. I mean‚ pink AND glittery‚ what’s not to love? And then I read the book. As I read through the pages‚ I started
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On the other hand‚ Peggy Orenstein in her article “Should the World of Toys Be Gender-Free?” published on the 29th of December 2011‚ in the newspaper The New York Times‚ she appears to support cross-sex toys and play activities. Orenstein believes that with cross-sex entertainment it would be easier and beneficial for the children to interact and communicate in the future‚ due
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This author‚ Peggy Orenstein talks about and argues that the isolation of boys and girls are pretty relevant through the commercialization of Disney films and toys when all is said in done. Disney and toy organizations are promoting gender roles as a hidden topic in the matter of what boys and girls ought to partake and be. The view of Disney films creates what girls and boys should and shouldn’t make strive toward in the public eye. Orenstein demonstrates that gender roles are made through the utilization
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In “Fear of Fatness” by Peggy Orenstein‚ she claims that the beauty standards set by society are degrading women’s appearances causing them to constantly stress over how they are perceived. She explains this through the use of satire and the personal experience of a friend‚ Holly‚ whose five-year-old daughter‚ Ava‚ is overweight. Holly is so concerned about Ava’s weight that she contacts her daughter’s pediatrician to help control Ava’s portion sizes. Orenstein goes on to describe that “the standards
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