Counterfactual Thinking and Shakespearean Tragedy: Imagining Alternatives in the Plays Amir Khan Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Amir Khan‚ Ottawa‚ Canada 2013 Library and Archives Canada Bibliothèque et Archives Canada Published Heritage Branch Direction du Patrimoine de l ’édition
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CARIBBEAN EXAMINATIONS COUNCIL Caribbean Advanced Proficiency Examination® CAPE® LITERATURES IN ENGLISH SYLLABUS Effective for examinations from May-June 2012 CXC A15/U2/10 Published by the Caribbean Examinations Council All rights reserved. No part of this publication may be reproduced‚ stored in a retrieval system‚ or transmitted in any form‚ or by any means electronic‚ photocopying‚ recording or otherwise without prior permission of the author or publisher. Correspondence related to the syllabus
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Why Study Literature? Thursday in one of my Introduction to Literature courses‚ one of my students said‚ "Ma ’am‚ I have a question. No disrespect‚ but...." We all know the feeling that comes with any question or remark that begins that way. I thought‚ "Oh boy. Here it comes." "...Why do we need to learn this? Is my commander going to send me a poem and ask me to explicate it?" This question always flummoxes me--not because I have no answer‚ but because the answers are so obvious to me
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A View From the Bridge "A view from the bridge" is a play scripted by Arthur Miller in 1955. The play is based in a city called Brooklyn which is situated in the state of New York. A view from the bridge is presented to the audience by a prominent character called Alfieri. Alfieri is the most significant character in the play because he is known as a good lawyer‚ a good friend to Eddie Carbone (a longshoreman) and surprisingly he is also the narrator. Alfieri is obviously the most significant
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