With the start of the Renaissance came an intellectual awakening. Even though the majority of the artistic works of the time featured some form of Christian imagery‚ elements of the scientific discoveries of the time can be seen subtly in the paintings and architecture of the era. As the Renaissance was a time where human intellect expanded and morphed in drastic ways‚ it was also an extremely controversial time of diminishing religion and changing ideas. One of the most controversial discoveries
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S. Lewis‚ in his novel The Great Divorce‚ uses beautiful imagery to paint a picture of‚ perhaps‚ what Heaven and Hell might be like. In describing Hell and human freedom he articulates: “There are only two kinds of people in the end: those who say to God‚ ‘Thy will be done‚’ and those to whom God says‚ in the end
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In the romantic tragedy of Ethan Frome‚ Edith Wharton uses Mattie Silver as a literary foil to her older cousin‚ Zeena Frome. Often‚ Wharton uses descriptive imagery‚ contrasting brightness and warmth‚ to darkness and cold‚ to highlight the differences between the two women. Mattie is typically shown in the light‚ reflecting or creating a source of heat. Ethan senses the change that came with Mattie’s arrival in his home. “...The coming to his house...was like the lighting of a fire on a cold hearth”
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The winter imagery poem I chose that I felt captures the essence of Canadian winters is called “An Ontario Poem”. This poem provides expressive words and vivid examples to provide the reality of Canadian winters. The first couple of stanzas explains just how vigorously the wind blows also showing the reality of just how cold it really gets. It portrays this by stating “...and the gentle breezes blow at seventy-five miles an hour at thirty-five below”. The following four lines discuss how we love
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Imagery in “My Son the Fanatic” Imagery in the language: Look especially on metaphors‚ similes and symbols. You also have to interpret the title Julie - page 193-194 Page 193 line 7-8: “His son was outgrowing his teenage attitudes.” It is a metaphor because a plant can grow‚ but your teenage attitudes can’t be outgrowing. Page 193‚ line 15-17: "He was aware that he had become slightly afraid of his son‚ who‚ alongside his silences‚ was developing a sharp tongue. It is a metaphor because your
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and many deaths in general. Seeing that many dead people is not easy. Guns are made as toys but they are no joke‚ they actually kill people. The seriousness of guns is portrayed in war books quite well. The title of Red Badge of Courage is a use of imagery to represent a gunshot from the war. The “Red-Badge-of-Courage” is everywhere in the book symbolizing many deaths. Henry is quite shook when he first sees someone who was shot and is dead. “Near the threshold he stopped‚ horror-stricken at the sight
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Lady of Shalott‚" including simile‚ imagery‚ metaphor‚ and symbolism. In part three of the poem‚ Tennyson describes the details of Lancelot’s armor and horse: "The gemmy bridle glitter’d free‚ Like to some branch of stars we see Hung in the golden Galaxy." (82-84) Tennyson uses a simile to compare the glitter of the horse’s bridle to the stars at night. This simile also incorporates imagery‚ creating visual image in the readers’ mind. The celestial imagery continues later in part three in
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young men into killing machines. It is all the more frightening because‚ emptied of any concerns for justice‚ or ethics‚ or solidarity‚ they opened fire anywhere‚ everywhere. After all‚ who could know where or who the enemy was? Herr’s use of brutal imagery absorbed me into his savage surroundings. From the soldier who can’t stop drooling as a
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Throughout Othello‚ imagery of war is used to build character. While talking to Othello’s father-in-law Brabantio‚ Iago has this to say about the General‚ “Though I do hate him as I do hell’s pains / Yet for necessity of present life‚ / I must show out a flag and sign of love‚ / Which is indeed but sign.” (I.i.152-155). He’ll “show out a flag”—like waving a peace sign—as a sign of his loyalty‚ despite actually intending to harm Othello. This illustrates early on in the play Iago’s two-faced personality
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William Shakespeare’s “The Tragedy of Julius Caesar” is about betrayal. In Maurice Charney’s article “Shakespeare’s Use of Blood Imagery in the Play”‚ Charney takes an in depth look at the different representations of blood according to the conspirators and the supporters of Caesar. For Brutus‚ the head of the conspirators‚ blood represents sacrifice and revival; however‚ for Caesar’s biggest supporter‚ Antony‚ blood represents murder and vengeance. The animosity toward Caesar is first revealed
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