Similarly‚ the 100 year difference between the end of the Medieval Era and beginning of the Renaissance Era showed amazing changes in the form of art. The painting “Madonna the Goldfinch” by Raphael Sanzio was created in c. 1505-1506. This was the very beginning of the Renaissance Era‚ and the painting strived for perfection unlike any of the paintings created before it. Madonna the Goldfinch portrays a sense intrigued curiosity‚ but to those who analyze it will find a guiding informative response with
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Lascaux‚ France‚ many children found a remarkable painting on the wall. After telling about their findings‚ researches and explorers visited the cave and it was then they saw the “Chinese Horse”. The art got its name because it resembled the ceramic horses of the Han Dynasty in China. Although the reasoning for the painting is unknown‚ they research has shown that several paintings in this era included plants and animals. It was not the only painting of a horse found on a cave wall. However‚ it is
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art is a seascape painting‚ painted with oil and painted on canvas. The artist was Peter Monamy (1681-1749). The painting portrays three ships stuck in a storm. There is a main ship‚ a ship in the background‚ as well as‚ another ship behind that. Through research it is not known if the artist was depicting a certain event in time‚ but some say it was a depiction of “the great gale of 1703” or when Sir Cloudisley Shovell’s fleet was stuck in a storm in 1707. I chose this painting because it depicted
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Northwest Montana. Jessica unusually meticulous oil painting techniques is grounded in the varnish mediums of the Dutch Golden Age. The New York Times has described her works as “Straightforwardly beautiful” with “an element of weird”. Her work has been noted for its color and luminosity‚ it’s imaginative and evocative content‚ and for the high quality of her technique. This is exactly what I notice when I saw the painting of “The merry widow”. The painting depicted a heavier set women sitting down next
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Dan Rebok Art History 100 3/2/2010 Compare/Contrast Paintings at Palmer The Sacrifice of Jephthah’s Daughter 1650 by Pietro Vecchia is a rather unusual painting. The premise is that he must sacrifice his own daughter because of a deal with God. In the painting she has her arms across her chest covering her naked self and is bent over almost in a ball. This cowering is a stark difference to‚ Giovanni Baglione’s St Sebastian healed by an Angel 1603. Sebastian is in repose with his hands behind
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Three paintings depicting mental illness and how society tried to rid the people of these illnesses before modern time are Hieronymous Bosh (Flowers of Folly/Stones of Madness)‚ Brueghel’s Stone Operation‚ and Girolamo Di Benvenuto’s painting of Exorcism. In Bosh’s painting‚ there are four individuals: a man with a funnel hat‚ attempting to cut open the second man’s brain to extract the stone of madness‚ there is also a man who is holding a vase and a woman who is watching the event‚ while she balances
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Tonita Peña in year unknown‚ signed with her legal name. The painting is untitled as well‚ its subject matter the participants in a ceremonial Pueblo dance. Line was used more conservatively in this painting than in Tonita’s other works. The skin of each dancer is not so boldly defined in its outline‚ different colors and shapes gently shifting from one to the other. In that respect‚ contrast is very subtly; however‚ the black in the painting stands out more boldly against the rest of the dancers. Color
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The Parthenon temple (448-432 BCE) was the product of rebuilding Acropolis in Greece after the Persian invasion by Ruler Pericles. The chief architects were Ictinus‚ Callicrates‚ and Mnesicles The decorative sculptures on the Parthenon was made by sculptor Phidias. They were located in three main areas of the temple- in the pediments at each end of the building‚ on the metopes‚ or the square panels between the beam ends under the roof‚ and on the frieze that runs across the top of the outer wall
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Wailing Women‚ created by Ken Currie is a large-scale painting that attempts to capture the emotional trauma of war (figure 1). Currently located at the McMaster Art Gallery‚ this oil painting successfully conveys large-scale loss of human life through its expressionistic style. Currie’s choice of style allows for the figures to be more distorted and symbolic‚ making the piece more visually appealing. Rather than merely present the event to the viewer in an art form‚ the Currie creates an emotional
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The Power of Music The Power of Music (1847) is an iconic work of art that has helped to ensure William Sidney Mount a permanent reputation as one of the greatest American artists. It is a narrative genre painting with elements of portraiture commissioned by Charles M. Leupp. Owned by the Cleveland Museum of Art‚ The Power of Music is in Gallery 207: “American Art at Home and Abroad.”
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