Impact of Lomography Lomography is a kind of snapshot photography developed during the post-Cold War era‚ and it is also “a coinage and a new trend in photography‚ which is usually defined as a photograph which is taken spontaneously and quickly‚ more often without artistic or journalistic intent” (Chen para.1). In fact‚ lomography originally required the deliberately low-fidelity and inexpensively constructed cameras. However‚ with the highly developed digital cameras and the digital single lense
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sharing of graphing pictures is called into question by Susan Sontag in her essay‚ “Regarding the Pain of Others‚” who points out that war photography should have some form of censorship because of the effect it may have on victims or families who have lost their loved ones. While Berger doesn’t seem to promote graphic photography‚ it seems that from his point of view‚ pictures such as these make a reality of what otherwise might just become another page in our
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From 1979 to present there have been many famous photographers‚ but there are three who really stick out: Jerry Uelsmann‚ Freeman Patterson‚ and Annie Slivovitz. These three photographers had very distinct photography and viewed photography as more than pictures but as pigments of emotions and feelings. These photographers are very famous for their pictures and one photographer is known for her help in third world countries. The first photographer that I would like to mention in my research paper
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her; she wrote: “From the first moment I handled my lens with a tender ardour‚” she wrote‚ “and it has become to me as a living thing‚ with voice and memory and creative vigour.”. In addition‚ Julia became an important figure in the history of photography because of her artistic portraits and her
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(1864-1946) In 1881‚ Alfred Stieglitz went to Berlin to study mechanical engineering and met Hermann Wilhelm Vogel whose experiments with orthochromatic emulsions and active role in photographic societies convinced Stieglitz to pursue in photography. In 1890‚ Stieglitz decided to pursue a life as an independent medium. His role was as a “choose one” guiding his people out of the slavery of old practices. Stieglitz desired to produce a major exhibition reflecting the principal pictorialist concerns
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In Chapter 8 of After the Fact in the article‚ “The Mirror with a Memory” by James West Davidson and Mark Lytle‚ the authors tell the story of photography and of a man names Jacob Riis. Riis came from Scandinavia as a young man and moved to the United States. Riis firsthand experienced the bad conditions in the heart of the slums of New York. He worked from place to place‚ doing odd jobs until he found a job as a police reporter for the New York Tribune. Riis lived in a slum called “The Bend.” When
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century. Gary Winogrand grew up in a dominantly Jewish area of Bronx in New York. His father‚ Abraham‚ was a leather worker and his mother‚ Bertha‚ made neckties. When he was 20 he studied painting at City College of New York and painting and photography at Columbia University. He took a photojournalism class at The New School for Social Research in New York 3 years later. Winogrand worked as a commercial photographer for 2 years at the Pix Photo Agency in Manhattan and after worked at Brackman
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believe that images help to reconnect us all. No other form of communication is as powerful‚ nor can speak to so many people across the world as the universal language of photography. It fascinates me how a simple click of a camera can capture a moment that will remain in the memory forever. I am relatively new to photography‚ really only expressing a genuine interest in the last twelve months or so‚ and my passion for it has grown and continues to grow‚ using books‚ magazines‚ videos and various
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FEASIBILITY STUDY MJSAM Photography! “Capture the sweetest smile you ever have.” A proposed project by: Anna Paulina Garcia Micah Dyan Matahom Ma. Bernadeth Joy Manahan Shaira Encinares Mario Alimoot Submitted to: Professor Neil Gamus TABLE OF CONTENTS I. Executive Summary………………………………………………………… 1-3 II. Marketing Aspect ……………………………………………………........... 4 A. Product
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Photography was a major development in technology and of cultural representation. In colonial India‚ photographs became a way for people to represent themselves and display themselves. It also became a form of documentation for criminals and murder scenes. Photography has become a way to more accurately depict the culture‚ land‚ and people of India – though it still had its opportunities to be manipulated. Photography was also a major for of cross-cultural representation for those of colonial India
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