I have chosen two photographs‚ one from my elementary school days and the other from the text book. The photographs from my school class picture has amber background which emphasize my complexion and facial expression which was subdue at the time. The photograph of my self was taken during the early 90s but it appearance suggest it was taken in the 80s. I like the simplicity of the photo
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expands from its subjective basis with the input of other people. Nan Goldin’s photographs stand as a obsessional recording of her life‚ as she puts it ‘I don’t ever want to loose the real memory of anyone again’. Goldin manoeuvred into a career in art photography after she was given a camera in her teens‚ a few years after the death of her sister. Her early photographs are taken more as overt play than photographs with a concept of their own. Poses for the camera are taken after the fashion shots
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well known photographer. Compared to the photographs of others taken in the time period‚ Yousuf Karsh’s photographs are much simpler than them. Most other photos are showing images from the war or other violence related topics‚ while Karsh focused on people. Karsh’s main focus was portraits. Almost all of Karsh’s photographs uses dramatic lighting to show different and unique shadows on his subjects. Yousuf has taken some of the most well known photographs. Yousuf Karsh was born on December 23‚ 1908
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information. Although some feel photos produce negative images and appear fabricated‚ their pros outweigh the cons. We use photography every day. Photos have the ability to portray where we have been‚ what we have done‚ and our place in the world. Photographs allow us to look back on memories and events of our lives‚ and their significance. The majority of photography’s influence remains positive. Photography preserves memories and yields informative‚ emotional‚ and expressive reactions that words cannot
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Learning to See as a Photographer It is not at all uncommon to hear photographers talk about “seeing” a photograph. This can be somewhat confusing to those who are on the outside looking in and are not familiar with the concept. Sure‚ we physically use our eyes to see an object or a person or a landscape but that’s not exactly what we’re talking about here. A photographer’s sense of sight goes well beyond looking with their eyes. Often times‚ a photographer will observe a scene and see not what
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Violin D’Ingres is a perfect example of a modernist photograph. Man Ray pushes both how photography is perceived and what is possible within a photograph in this example. Man Ray himself was an American‚ born as Emmanuel Rudnitsky‚ but moved to Paris and engaged in very non-American photography. Europe lacked the American ideals about what "strait photography" should be. While American schools of photography believed that an art photograph should only be made with a large negative with maximum
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2. “Analogue photographs have always had the power to manipulate and transform reality” (Biro 2012). Discuss. When analogue photography was first invented‚ its overwhelming power came from the fact that it recorded nature more realistically than any other art form had ever done before […] people trusted it and believed it portrayed ‘reality’ and ‘truth’ (Lodriguss 2000). The camera was seen as a revolutionary instrument that enabled objects‚ people and landscapes to be documented in the highest
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to represent the way things really were in the world.” As technologies changed‚ so did cameras and photographers were able to produce more realistic images for magazines and newspapers. Because photographs were able to uncover the so-called ‘truth’‚ when it became known that many historical photographs were fakes and had actually been manipulated to look a certain way‚ this caused uproar
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critically analyze photographs and not just look at them for appreciation‚ although appreciation can be included. “Photography can be compared‚ I thought when I first found the photograph‚ to that selenite window. It promises a view of the world‚ but gives us a flattened object in which wrecked reminders of the world are lodged. (Elkins) A photograph is a flattened physical image that one can hold in their hands. “Wrecked Reminders” I take it as what once had a purpose in a photograph then‚ may have
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of her own childhood. This particular photograph‚ taken by Kuhn’s father‚ shows Annette as a six year old sitting in a fireside chair‚ holding Greeny‚ her new budgerigar. She appears happy and full of life‚ love‚ and energy‚ yet she claims this was not how she felt at the time about her life‚ as well as now. “Photographs are evidence‚ after all. Not that they are to be taken at face value‚ necessarily‚ nor that they mirror the real‚ nor even that a photograph offers any self-evident relationship between
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