magazine or surf through any website‚ the most imperative element holding you to the page is‚ unquestionably‚ the photos or images on that page. The significance of photographs or images as an important part of any collateral cannot be challenged; rather photos offer the much required deepness to express any thought. Cut out images are photographs where the object has been cut out from its original background and retained onto a clean‚ white background or on any other background. The procedure of image
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Accordionist (with Crowd)‚ a 25 color photomontage 48 inches by 40 inches‚ now apart of the Chapman University permeant collection‚ is a piece of art showing two different photographs juxtaposed together. One photograph is above the other forming an L shaped piece of art. The photograph on top displays a crowd of people tightly packed together in a dark room with a bright red tint illuminating everything. All eleven people facing the camera have their faces covered by solid colored circles distinguished
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General Musa Khan The photograph of general Musa Khan shows national identity. The photograph shows him as an ex general of the Pakistani Army. The techniques that used which demonstrate that he is a leader are his body language‚ clothing and his medals are a symbolism of military leader and that the photograph is an offering gaze. General Musa Khan is depicted as a leader through his body language‚ the way he is sitting. His erect upright posture shows us that he is very formal and serious about
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O’Keeffe As I See Her. She does so in a very personal manor‚ starting by the depiction of a photograph of the artist she’d cut out of a magazine and “pinned up in her college dorm room in 1960 or thereabouts”‚ when she was around 18 or so. She goes on to describe the relationship she had with this photograph and the image of O’Keeffe‚ not just as what she did in her work‚ but as she was/is represented in the photograph itself. Hiller explains the misconstrued vision she had of this women‚ and the reflection
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preservation. He is seen as an environmental folk hero and a symbol of the American West‚ especially of Yosemite National Park. Adams’ dedication to wilderness preservation‚ his commitment to the Sierra Club‚ and of course‚ his signature black-and-white photographs inspire an appreciation for natural beauty and a strong conservation ethic. Adams was born in San Francisco‚ California in an upper-class family to Charles and Olive Adams. When he was four years old‚ he was tossed face-first into a garden wall
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ARTS103OL Art Appreciation A FORMAL ANALYSIS of Ansel Adam’s Tree‚ Stump and Mist‚ North Cascades National Park Instructor: Cheryl Knowles-Harrigan Part I – Selection of the Art Object: The intent of this paper is to make a Formal Analysis of Ansel Adam’s Tree‚ Stump and Mist for greater self- understanding and to be a better art appreciation critic. The work I have selected for this requirement will be explained and critiqued in depth to provide
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destruction because of all of the conflict and war that are involved in human life. In addition to the lines formed by the buildings and roads‚ the barrel of the tank points out to the right as if to point into the future. The other line in this photograph is created by the barrel of the tank and points out that even though the child’s future may contain more pain and misery he will endure and continue to live life with a smile on his face. The children will continue to be playful and enjoy their
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“Migrant Mother”- A Picture Worth a Thousand of wordsDorothea Lange’s photograph‚ known as Migrant Mother‚ was taken in 1936 during the great depression era which emphasizes a woman‚ Florence Leona Christie. She holds a baby in her lap as her other two youngsters group around her. The mother ’s face is the core of the picture. Her fingertips are simply touching her face as she is thinking of something. The youngsters settle close to their mother and lean their heads on her shoulder and back yet there
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system of signs. Within the photograph featured is two captions repeated ‘You can lose more than your patience’ the repetition makes the viewer think about what the caption really means‚ it’s almost threatening. This is a key example of a linguistic message where the caption relates to the problem and meaning of the photograph in place. Which then also
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only a hundred years ago that people believed what saw in photographs was true. On the other hand present day‚ the increasing response to an unusual photograph is "They did that with PhotoShop." Where does this leave a medium whose mission is to deliver a realistic eyewitness account of the public and events all over the world? As a result digital imaging technology had led to an increased awareness of the ease of manipulation to photographs with programs like Adobe PhotoShop has brought to light
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