"Photographic verisimilitude and plein aire painting" Essays and Research Papers

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    cluade monet

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    enters the Swiss Academy.1860 Monet meets Pissaro and Courbet. In 1861 monet joined an army for a seven year time in Algeria. 1863 Monet discovers Manet’s painting and paints "en plein air" in the Fontainebleau forest. 1864 Monet stays in Honfleur with Boudin‚ Bazille‚ Jondkind. He also meets his first art lover: Gaudibert.1865 Monet’s paintings are submitted for the first time to the official Salon. 1867 Birth of his first son Jean Monet while Claude Monet is in Sainte-Adresse. 1868 Monet tries to

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    Impressionism and quickly became popular for his use of muted colors and landscape paintings. Impressionism was a time during which artists denied the use of structure and rules in art. Impressionists shied away from the use of contour lines in painting and practiced the technique of short brush strokes. Impressionism was a

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    Monet

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    Oscar Claude Monet painted “Garden at Sainte- Adresse” in 1867. Seven years later “after an art exhibition in 1874‚ a critic insultingly dubbed Monet’s painting style ‘Impression‚’ since it was more concerned with form and light than realism‚ and the term stuck.” Not only did the term stick but gave both name and rise to a new style of painting introduced by Monet and others such as Renoir‚ Sisley‚ and Bazille. The “Garden at Sainte-Adresse” displays the artistic technique for which impressionism

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    Essay Contrast Art

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    Impressionists movement but they are different in their life‚ art education‚ and art work. Claude Monet is French artiest. He was born in 1840. He was the second son of Claude Adolphe Monet. The term Impressionism is derived from the title of his painting Impression Sunrise. In the beginning of his life His father wanted him to go into the family grocery business‚ but Monet wanted to become an artist. He started studying art in small art school and later he went to Louvre‚ he witnessed painters copying

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    Art Impressionism

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    movement is derived from the title of a Claude Monet work‚ Impression‚ Sunrise (Impression‚ soleil levant)‚ which provoked the critic Louis Leroy to coin the term in a satiric review published in Le Charivari. Characteristics of Impressionist paintings include visible brush strokes‚ open composition‚ emphasis on light in its changing qualities (often accentuating the effects of the passage of time)‚ ordinary subject matter‚ the inclusion of movement as a crucial element of human perception and

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    during the 1800s. The dark‚ neutral tones and abundance of empty space in the painting evokes a coldness that is matched by the austere expression of the subject of the piece‚ Anna McNeill Whistler‚ indicating distance between mother and son. Additionally‚ very little attempt has been made to replicate depth or three-dimensionality‚ except in the woman’s face and‚ to some extent‚ the curtain on the left of the painting. For example‚ Whistler’s mother’s dress is little more than a black block of paint

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    much as they did from a more diverse clientele. Just as significant‚ if not more so‚ the development of photography influenced art in the second half of the nineteenth century. The camera’s influence was apparent in the visual characteristics of paintings‚ the subject matter‚ and the powerful direction in which artists were able to take their creative visions. Seventeenth century artists began using something called the camera obscura‚ which is Latin for "room dark". Basically‚ it is a box with

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    Art Paper 3

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    present. Team Louvre has chosen the following women artists: Audrey Flack‚ Helen Frankenthaler‚ Nancy Graves‚ and Alice Neel to share briefly their story as women artist. Audrey Flack was born in 1931 and is one of the founders of photorealism painting. During the Abstract Expressionist fifties‚ Audrey Flack suffered all the slings and arrows of being a female artist during times when female artists were viewed as little more than hobbyists. Flack believed that the continuous discovery of art

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    He is one of the typical artists to mention when we discuss the Early Modern art era. I would like to analyze the contextual factors that affect his style of painting. First of all‚ the political circumstances in France from 1870s had effects on Monet’s style. During the Franco-Prussian War (1871-1872)‚ Monet came to England with Pissarro for shelter. He met the dealer Durand Ruel‚ who then became a great advocator

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    Art Deco

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    ‘Art Deco’ was an art movement that flourished through the 1920’s and 1930’s. The decade opened up an extensive variety of original and distinctive styles and still remains to be the foundation of ‘an era so rich and so remote that at times it seems to belong to the unfathomable domain of dreams (Cocteau‚ n.d).’ Art Deco was a necessity at the time‚ due to the economic crisis and war. Society needed pop colour and creative‚ eccentric designs to brighten up the dull life they were living. People needed

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